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FOR EDUCATIONAL PURPOSES ONLY
INT. DR. JAFFE'S OFFICE - DAY
A successful-looking doctor sits behind a desk in a well-
appointed office. He's looking at someone off-camera.
DR. JAFFE
Uh, but you have no actual medical
training?
ERIN
(off)
No. I have kids. Learned a lot right
there. I've seen nurses give my son a
throat culture. I mean what is it - you
stick a giant Q-tip down their throat and
wait. Or a urine analysis, with that
dipstick that tells you whether or not
the white count is high...
DR. JAFFE
Yes, I understand.
ERIN
(off)
And, I mean, I'm great with people. Of
course, you'd have to observe me to know
for sure, but trust me on that one. I'm
extremely fast learner. I mean, you show
me what to do in a lab once, and I've got
it down.
He nods. Now we see who he is talking to: ERIN BROCKOVICH.
How to describe her? A beauty queen would come to mind -
which, in fact, she was. Tall in a mini skirt, legs crossed,
tight top, beautiful - but clearly from a social class and
geographic orientation whose standards for displaying beauty
are not based on subtlety.
ERIN (CONT'D)
...for instance, at one point I wanted to
be an engineer, so I was working at
Fleuer Engineers and Constructors in
Irvine. I fell madly in love with
geology.
DR. JAFFE
Geology?
ERIN
I learned how to read maps. I love maps.
Did you know our present system for map-
making dates back to the ancient Greeks
in like the third century B.C.?
DR. JAFFE
No.
ERIN
Anyway, I was at the company and - this
is interesting, actually - I helped
Ramish Ginatra design, as an assistant,
part of the Alaskan pipeline...
DR. JAFFE
Uh-huh.
ERIN
..But I lost that job because my son came
down with the Chicken Pox and 104
temperature and my ex-husband was
useless, so..ya know...But what I want to
tell you is I, uh .. I had always wanted
to go to medical school. That was my
first interest really...but then I, you
know, got married..had a kid too young
and..that kind of blew it for me..
Jaffe stares at her.
DR. JAFFE
Uh-huh.
ERIN
(beat, looks
around)
This is a really nice office.
Jaffe looks down at her resume, trying to figure a polite
route.
DR. JAFFE
Thanks.
(looks up at
her)
Look....
Beat. By Erin's expression, she knows what's coming.
EXT. DR. JAFFE'S OFFICE/ SO. CALIFORNIA SUBURB - MAIN DRAG - DAY
A side street. No pedestrians, just parked cars.
Erin is finishing a cigarette. Her face has fallen -- the
enthusiasm and spirit she showed in the interview are now
replaced by a desperate type of concern. She takes a final
puff, puts the cigarette out and walks to her car.
A PARKING TICKET flaps under the wiper of an old Hyundai.
ERIN
Fuck.
Even when she talks dirty, there's a heartland goodness to
her voice. Like Kansas corn fields swaying in the breeze.
As she grabs the ticket from the windshield, her sunglasses
accidentally CLATTER to the ground.
ERIN (CONT'D)
Shit.
When she picks them up, a fingernail snags on the pavement.
ERIN (CONT'D)
God damn it.
She tends to the nail as she opens her car door and gets in.
WIDER ON THE STREET
The Hyundai starts it up, signals. Then, just as it pulls
slowly out into the street, a JAGUAR barrels around the
corner, accelerating out of the turn, and SLAMS into the side
of Erin's car, sending it CAREENING into the median. It
SMASHES into a foot-thick lightpost. And stops.
EXT. MASRY & VITITOE - DAY
A respectable building in the valley.
ROSALIND (O.S.)
Morning, Mr. Masry. How you doing today?
INT. MASRY & VITITOE - RECEPTION - DAY
A sign over the reception desk reads: MASRY & VITITOE,
ATTORNEYS AT LAW.
ED MASRY, senior partner in the firm, enters the office and
approaches his secretary's desk. His avuncular presence masks
a savvy legal mind, and his somewhat rumpled appearance
indicates a disinterest in pretense.
ED
Fine. You?
ROSALIND
Did you watch it last night?
ED
No, I was out. I taped it. Don't tell me
what happens.
ROSALIND
(overlapping
him, excitedly)
It's sooo great...
(as he walks to
office)
Your nine o'clock's already in there.
Ed peers into his office. It's a mess -- papers everywhere,
unopened mail. Standing in the middle of the room is Erin,
in a teensy, leopard-print mini-dress. As she jiggles a
spike-heeled foot, everything about her shimmies gloriously.
Except her head, which is held in place by a neck brace.
ED
Remind me.
BRENDA
Erin Brockovich. Car accident. Not her
fault, she says.
(beat. they
exchange looks)
She was referred.
He nods.
INT. MASRY & VITITOE - ED'S OFFICE - DAY
Not an office that necessarily exudes authority, and ED's
blustery entrance only adds to the sense of chaos.
ED
Erin -- hi. Sorry you had to wait.
Here, sit down, sit down.
He clears a stack of papers off a chair, places down a mug of
coffee.
ERIN
Thanks a lot.
(as she sits)
I tell you, I never thought just standing
would take it out of me, but ever since
that shithead hit me, it feels like my
whole body's put together wrong.
Ed gives her a look of pro-forma sympathy.
ED
(sits)
Jesus, you poor thing. Did anyone ask if
you want some coffee?
ERIN
Yeah. I'm fine.
ED
Great. Well, listen...whoever did this to
you made one hell of a mistake, and you
and me, we're gonna make him pay for it.
He sips coffee like it's a healing potion, takes out a pad
and paper, gets ready to write.
ED (CONT'D)
Why don't you tell me what happened?
CUT TO:
INT. SOUTHERN CALIFORNIA COURTROOM - DAY
Erin is on the stand, wearing the most conservative thing she
owns: a red, form-fitting mini dress, telling her story to
Ed, who's questioning her.
ERIN
I was pulling out real slow, and out of
nowhere, his Jaguar comes racing around
the corner like a bat outta hell ...
She glances at the defendant's table, where a DOCTOR sits
nobly. His WIFE and two beautiful KIDS are behind him. A
frigging Norman Rockwell painting.
LATER IN HER TESTIMONY
ERIN
They took some bone from my hip and put
it in my neck. I didn't have insurance,
so I'm about seventeen thousand in debt
right now.
STILL LATER
ERIN
...couldn't take painkillers 'cause they
made me too groggy to take care of my
kids.
STILL LATER
ERIN
...Matthew's six, Katie's four, and
Beth's just nine months.
STILL LATER
ERIN
...just wanna be a good mom, a nice
person, a decent citizen. Just wanna
take good care of my kids. You know?
ED
(oh so moved)
Yeah. I know.
INT. COURTROOM - LATER
Erin is still on the stand. But now the doctor's lawyer is
questioning her.
DEFENDING LAWYER
Seventeen thousand in debt. Whew. Is
your ex-husband helping out?
ERIN
Which one?
DEFENDING LAWYER
(feigning shock)
There's more than one?
ERIN
Yeah. There's two. Why?
Erin looks over at the jury. The personification of
conservative family values. Oh, shit.
LATER IN HER TESTIMONY
ERIN
(getting defensive)
...not like a career, 'cause I had my
babies. But I woulda worked, for sure,
if I didn't have this neck thing.
Erin sees a juror staring in judgment at her short hem. Erin
gives it a tug, pulling it down a stitch.
DEFENDING LAWYER
(sarcastic)
Right. No doubt.
Erin sees a few jurors share dubious glances. Great.
STILL LATER
The defendant's lawyer is on the offensive. Erin's starting
to feel the case slipping away.
DEFENDING LAWYER
So. You must've been feeling pretty
desperate that afternoon.
ERIN
(pointed)
What's your point?
Ed shakes his head slightly to her -- don't get mad.
DEFENDING LAWYER
Broke, three kids, no job. A doctor in a
Jaguar must've looked like a pretty good
meal ticket.
Erin sees jurors nodding almost imperceptibly in agreement.
She's on a sinking ship.
ERIN
What? Hey -- he hit me.
DEFENDING LAWYER
So you say.
ERIN
He came tearing around the corner, out of
control --
DEFENDING LAWYER
An ER doctor who spends his days saving
lives was the one out of control --
ERIN
(erupting)
That asshole smashed in my fucking neck!
INT. COURTHOUSE HALLWAY - LATER THAT DAY
Erin barrels toward the elevator. Ed trails.
ERIN
...Open and shut? Open and fucking shut?
ED
Which is exactly the kind of language
that lost the case.
ERIN
Oh, please, it was long over by then.
God damn, he made me look like some
cheap --
ED
I told you the questions might get a
little persona-
ERIN
Bullshit. You told me I'd get half a
million dollars. You told me I'd be set.
ED notices her ranting is starting to draw attention.
ED
Okay -- let's try and settle down here.
You want something to eat?
ERIN
You want to feed my kids too!? Fuck
settle down! I got seventy-four dollars
to my name! I can't afford to settle
down!
Beat.
ED
I'm sorry, Erin.
ERIN
Do they actually teach lawyers how to
apologize - because you all suck at it.
Erin turns away from him and heads for the stairway.
EXT. ERIN'S HOUSE - DAY
A shitty little house in a shitty part of Northbridge. The
Hyundai with a bashed-in side pulls up to the curb.
Erin gets out, takes the mail from her mailbox, then heads
over to the equally grim house next door and rings the bell.
A Hispanic woman in her 60's opens the door, holding a white
baby. This is MRS. MORALES.
MRS. MORALES
Hi, Erin! You're back so soon.
She hands Erin the baby. It's BETH, Erin's 9-month old.
Erin avoids the question by focusing on her baby.
ERIN
Hi, sweetie. Were you a good girl?
Where are Matt and Katie?
MRS. MORALES
Outside with the sprinkler. So it's
good?
The truth is too depressing to share. They walk towards
Erin's house as they talk...
ERIN
It'll be fine, yeah.
(BETH COUGHS in
her arms)
Oh honey..
MRS. MORALES
She's got a little cough. I sat with her
in the steam to loosen it up. But...
ERIN
I've got enough medicine, I think..
MRS. MORALES
Ai, bueno. Listen, I didn't want to tell
you before, with your worries --
ERIN
What?
MRS. MORALES
My daughter, she's bought a big house
with a room for me. I'm going to move in
with her.
ERIN
You're moving away? When?
MRS. MORALES
Next week.
ERIN
(stunned)
Next week?
MRS. MORALES
I know. But it's good for me. Now I can
help my daughter take care of my
grandkids. And it's good for you, too.
Now you have money, you can find a good
baby-sitter, huh? Not the old lady next
door.
Oh, God. Beth COUGHS.
EXT. ERIN'S HOUSE - DAY
Erin carries Beth up to her house. As she nears her door,
she steps on a GIANT WATER BUG. It crunches under her sole.
ERIN
Ugh.
Insult added to injury. She heads up to the house, dragging
her shoe, wiping off the bug guts.
INT. ERIN'S HOUSE - KITCHEN - DAY
Hand held camera follows Erin as she puts down her bag and
looks through cabinets to see what she can make for dinner,
all the while holding Beth who coughs on and off.
ERIN
Oh sweetie..that doesn't sound so good,
huh?...my baby...let me just start
dinner....
Erin finds nothing but boxes of macaroni and cheese and some
canned peaches and vegetables. She pulls out a box of
macaroni and cheese and a can of peas. She bends down and
grabs a pot, placing it under the faucet. She grabs another
pot and places it on the stove. She searches for a can opener
to open the peas. She moves back to the sink, shuts the
faucet and sees:
Another waterbug crawling up the side of the pot from the
drain.
ERIN (CONT'D)
Ugh! Goddamn it!
She bangs the pot onto the bug spilling the water and
upsetting Beth.
ERIN (CONT'D)
It's all right honey. Mommy's sorry. It's
all right.
As she rocks Beth, who coughs in between tears, Erin looks
around - at her meagre dinner and bug infested kitchen - and
is fed up with the whole day! She dumps her bag out, gets her
wallet, opens it up and sees what little money she has.
Camera follows her out the kitchen, into the main room where
she heads for a window, opens it and shouts to Matthew and
Kate in the yard:
ERIN (CONT'D)
Matthew! Katie! Dry off. Put your shoes
on - we're going out to eat.
They shout their excitement as Erin (and camera) continue
through the house, through the bedroom and into a bathroom.
ERIN (CONT'D)
Don't go getting sick on me, baby. Okay?
But Beth's cough is getting worse. Erin opens the medicine
cabinet but finds nothing appropriate.
EXT. DRUGSTORE - DAY
Matt and Katie are messing around with a gumball machine.
INT. DRUGSTORE - AISLE - DAY
Erin is holding Beth, wandering the aisles. She stops at the
medicines, thinks for a long moment, then, hating herself,
glances to make sure no one's looking, and picks up a bottle.
INT. DRUGSTORE - AT THE REGISTER - DAY
As a CUSTOMER steps away from the register, Erin steps up
with the bottle in her hand and smiles at the CHECK-OUT LADY.
ERIN
Hi, remember me? I was in yesterday.
Bought a whole mess of stuff. Round
about five?
CHECK-OUT LADY
Honey, it's a zoo here at five. I'm
lucky if I even see a face, much less
remember it.
ERIN
Oh, shoot, yeah, I guess that'd be tough.
Well, listen, I meant to buy my baby here
some medicine, and by the time I got
home, I realized I'd bought this adult
stuff by mistake. And now, wouldn't you
know, I can't find the receipt. I was
wondering -- could I maybe exchange it
anyway...
INT. CHEAP DINER - TWILIGHT
Beth is feeling better on Erin's lap. A drugstore bag sits on
the table with the cough medicine. The two other kids sit
opposite in the booth. Erin is helping the kids read the menu
as the Waitress arrives.
WAITRESS
Everybody ready?
KATIE
(proudly)
My mommy reads backwards.
ERIN
One of my many talents. Go ahead kids.
MATTHEW
Cheeseburger deluxe and a coke.
KATIE
(whispers across
table)
Mommy can I get the cheeseburger deluxe
with no cheese and no bread.
ERIN
(to Waitress)
You get that?
(Waitress nods
and smiles)
This one here'll have just a cup of that
chicken broth and some crackers.
WAITRESS
And for you?
ERIN
Cup of coffee.
Waitress takes away menus and exits as Matthew asks:
MATTHEW
You're not eating mom?
ERIN
No, honey - my lawyer took me out to a
big fancy lunch to celebrate and I'm
stuffed!
(to Beth)
You feeling better baby.
(feels her head
with her cheek)
Cool as a cucumber.
INT. ERIN'S HOUSE - NIGHT
The kids are asleep. A starved Erin is sitting at the kitchen
table, eating canned fruit cocktail.
O.C. Beth coughs. Coughs again. Erin looks up. Hopes it
doesn't turn into a coughing fit...
Beat.
A waterbug crawls across the table. Erin stares at it.
Calmly, comically, she reaches off camera and grabs a can of
bug spray. She aims and sprays the bug with a consistent,
focused force until the damn thing slides off the table in a
river of bug repellent.
INT. MASRY & VITITOE - ED'S OFFICE - DAY
Midday. Ed enters with a cup of coffee in his hand. As he
heads to his desk, he trips on a box of files. Coffee sloshes
up out of his cup and on to his shirt.
ED
Damn it!
(calling out)
Brenda!
She pops her head in.
BRENDA
Yeah?
He grabs a tissue, swabs his shirt, then kicks at the box.
ED
What the hell is this doing here?
BRENDA
It's those files you asked for.
ED
I didn't mean for you to leave them in
the middle of the floor. Jesus. Look at
me.
As Ed checks his reflection in the glass wall of his office,
he notices, on the other side:
ERIN, standing in the middle of the secretaries' area,
talking to DONALD, the office boy. Donald heads away from
her.
ED (CONT'D)
What's she doing here?
BRENDA
Who?
Ed goes to his office door and waves Donald over.
ED
Hey, Donald, what's she doing here?
DONALD
She works here.
Ed looks back out at her -- what the hell?
INT. MASRY & VITITOE - MAIN ROOM - DAY
The support staff -- mostly middle-aged women -- are all
stealing glances at Erin. Ed approaches her, friendly.
ED
Erin! How's it going?
Up close, the wear and tear of worry show on her face.
ERIN
You never called me back. I left
messages.
ED
You did? Wow, sorry about that.
(beat)
Listen, Donald seems to think that you
said --
ERIN
There's two things that aggravate me, Mr.
Masry. Being ignored, and being lied to.
You did both.
Glances skitter between the secretaries -- get a load of
this. Ed lowers his voice.
ED
I never lied, Erin.
ERIN
You said things would be fine, and
they're not. I trusted you.
ED
I'm sorry about that. Really. But --
ERIN
I don't need pity. I need a paycheck. And
I've looked, but when you've spent
the last six years raising babies, it's
real hard to convince someone to give you
a job that pays worth a damn.
(referring to
Brenda's
staring)
You getting every word of this down,
honey, or am I talking too fast for you!?
Brenda jumps. Ed sees everyone watching him, listening.
ED
I'd love to help, Erin, but I'm sorry, I
have a full staff right now, so --
He starts to escort her out, but she stays put.
ERIN
Bullshit. If you had a full staff, this
office would return a client's damn phone
calls.
She's backing him into a corner here. The secretaries
exchange knowing glances.
ERIN (CONT'D)
Now, I'm smart, I'm hard-working, and
I'll do anything, and I'm not leaving
here without a job.
C.U. on Erin as she steps in close to Ed and speaks in a low
voice that combines fierceness with desperation:
ERIN (CONT'D)
Don't make me beg. If it doesn't work
out, fire me... But don't make me beg.
Ed looks at her for a long moment. Then:
ED
No benefits.
INT. MASRY & VITITOE - FILE ROOM - DAY
A tight office lined with file cabinets and shelves. ANNA,
the humorless file clerk, is showing Erin around.
ANNA
...what we do in here is keep track of
all the case files. That way, at any
time, we can find out a case's status --
where it is in the office, stuff like
that. We file 'em all here,
alphabetically --
ERIN
Simple enough.
As Anna continues to show Erin around the office, they pass
JANE, the bitter office manager, and Brenda, at the coffee
area.
JANE
Just last week, he told my sister we
weren't hiring.
BRENDA
What's your sister look like?
INT. MASRY & VITITOE - ED'S OFFICE - NIGHT
Ed is packing up his office. Erin sticks her head in.
ERIN
Mr. Masry?
He turns, sees her.
ED
Yeah?
ERIN
I was wondering -- could you tell me who
I'd talk to about maybe getting an
advance on my paycheck? Just -- for the
weekend.
ED
Jane's the office manager. She handles
payroll and petty cash. But she leaves
early on Fridays.
ERIN
Oh. Okay. That's okay.
Ed looks at her a moment, sees that it's far from okay.
ED
Oh, for Christ's sake...
He takes out his wallet, looks in.
ED (CONT'D)
All I have is hundreds.
ERIN
I don't wanna take your money, Mr. Masry.
ED
Where do think your paycheck comes from?
He slaps a hundred in her hand and leaves. When he's gone,
she looks at the bill -- her life raft.
EXT. BABY-SITTER'S HOUSE - NIGHT
Erin is at the door, taking Beth from the BABY-SITTER, a
shabby, unkempt-looking woman in her 40's. Katie and Matt
pull on their backpacks and troop out of the sitter's house.
EXT. ERIN'S KITCHEN - NIGHT
Erin and her kids are putting away bags of groceries. Beth
watches from a baby seat. The kids are trying to tell her a
story. They fight over details. Erin loves listening.
INT. ERIN'S HOUSE - MATT AND KATIE'S ROOM - NIGHT
A small room with Salvation Army furniture. A BUNCH OF
DAISIES is propped in a Ragu jar on Katie's bedside table.
Matt and Katie are asleep in bed. Erin looks down at them,
smiles, then kisses them good night.
INT. ERIN'S HOUSE - HALLWAY - NIGHT
Erin comes out of the bedroom and softly closes the door.
But just as the handle clicks into place, the house is filled
with the DEAFENING ROAR of a MOTORCYCLE, REVVING and REVVING.
It sounds as if it's gonna drive through the wall.
EXT. ERIN'S HOUSE - NIGHT
Erin steps out onto her front stoop and looks over at what
used to be Mrs. Morales's house. A few MOTORCYCLES are
parked on the lawn; A FEW BIKERS are drinking beer on the
stoop; and one asshole is on his bike, REVVING HIS ENGINE.
ERIN
Hey!
But of course he can't hear her. She walks over to him,
stands right in his line of vision.
ERIN
HEY!
He sees her and kills the engine. Everything about GEORGE
HALABY is tough -- his denim, his leather, his bike, his long
hair. Everything but his eyes, which twinkle like Santa's.
GEORGE
Well, hello to you, darlin'.
ERIN
What the hell do you think you're doing,
making all that goddamn noise?
GEORGE
Just introducing myself to the neighbors.
ERIN
Well, I'm the neighbors. There, now
we're introduced, so you can shut the
fuck up.
The guys on the porch chuckle. Erin turns and starts back to
her house. George hops off his bike and follows her.
GEORGE
Ooh, now, see, if I'da known there was a
beautiful woman next door, I'da done this
different. Let's start over. My name's
George. What's yours?
ERIN
Just think of me as the person next door
who likes it quiet.
GEORGE
Now, don't be like that. Tell you what.
How about if I take you out on a date to
apologize for my rudeness?
Erin shakes her head in disbelief and keeps walking.
GEORGE (CONT'D)
Come on. Gimme your number, I'll call
you up proper and ask you out and
everything.
She stops at her porch, turns to him.
ERIN
You want my number?
GEORGE
I do.
ERIN
Which number do you want, George?
GEORGE
You got more than one?
ERIN
Shit, yeah. I got numbers coming out of
my ears. Like, for instance, ten.
GEORGE
Ten?
ERIN
Sure. That's one of my numbers. It's
how many months old my little girl is.
GEORGE
You got a little girl?
ERIN
Yeah. Sexy, huh? And here's another:
five. That's how old my other daughter
is. Seven is my son's age. Two is how
many times I been married and divorced.
You getting all this? 16 is the
number of dollars in my bank account.
454-3943 is my phone number. And with
all the numbers I gave you, I'm guessing
zero is the number of times you're gonna
call it.
She turns and heads inside. He calls out after her:
GEORGE
How the hell do you know your bank
balance right off the top of your head
like that? See, that impresses me.
INT. MASRY & VITITOE - RECEPTION AREA - DAY
Morning. Erin walks in, wearing her usual garb. She passes
the coffee area, where Jane, Brenda, and Anna are milling.
Brenda sees her, gives Anna a nudge. They both check out her
short hem. Anna nudges Jane, who looks as well. Erin
glances over just in time to see all three of them staring at
her judgementally. She stops in her tracks and stares back.
ERIN
Y'all got something you wanna discuss?
The women go back to stirring their coffees. Erin walks on.
INT. MASRY & VITITOE - ED'S OFFICE - DAY
Ed is walking into his office with a coffee cup in his hand
when he trips over the same box of files again.
ED
Damn it!
(calling out)
Brenda!
(no answer)
BRENDA!
INT. MASRY & VITITOE - FILE ROOM - DAY
Erin is alone, filing as she talks on the phone.
ERIN
How long's she been crying like
that?...Well, she's got that tooth coming
in --
Ed appears in the door, carrying the box of files.
ERIN (CONT'D)
Give her a cold washcloth to suck on --
(sees Ed)
I gotta go -- there's a clean one in that
bag -- I'll check back in a bit.
(hangs up)
Sorry. My kid --
ED
Where's Anna?
ERIN
Out to lunch with the girls.
ED
Oh. Huh.
(beat)
Well, look, I have to open a file. Real
estate thing. Pro-bono.
He plunks the box of papers & files on her desk. She stares
at it, with no idea of how to go about that.
ERIN
Oh. Okay.
He sees her staring at the box.
ED
You do know how to do that, don't you?
ERIN
Yeah. I got it. No problem.
ED
Good.
Ed heads out, but pauses before leaving.
ED
You're a girl.
ERIN
Excuse me?
ED
How come you're not at lunch with the
girls? You're a girl.
ERIN
I guess I'm not the right kind.
Erin goes back to work. Ed starts out then stops.
ED
Look, you may want to - I mean, now that
you're working here - you may want to
rethink your..wardrobe a little.
ERIN
Why is that?
ED
Well...I think maybe..some of the girls
are a little uncomfortable because of
what you wear.
ERIN
Is that so? Well, it just so happens, I
think I look nice. And as long as I have
one ass instead of two, like most of the
"girls" you have working here, I'm gonna
wear what I like if that's alright with
you?
Ed hides a smile. He nods. As he exits, Erin returns to work
and remarks, without looking up....
ERIN (CONT'D)
You may want to re-think those ties you
wear..
Suddenly self-conscious, Ed looks down to his chest...
INT. MASRY & VITITOE - FILE ROOM - NIGHT
Erin is at her desk, staring bewildered at the files from the
box Ed gave her, which are now spread across her desktop.
She sees Anna packing up her things to leave.
ERIN
Anna? With this real-estate stuff --
could you remind me, cause I'm a little
confused about how exactly we do that.
Why are there medical records and blood
samples in real estate files?
ANNA
(exasperated)
Erin, you've been here long enough. If
you don't know how to do your job by now,
I am not about to do it for you.
EXT. BABY-SITTER'S HOUSE - EARLY EVENING
Erin arrives to pick up her children from the unkempt baby-
sitter. She knocks. No answer. She knocks and calls out. No
answer. She looks through window. It appears no one is there.
She panics.
INT. ERIN'S HOUSE - EARLY EVENING
Erin runs into her house calling her children's names. No
answer. She is almost near tears with panic, rushing through
each room. She grabs the phone to call the police when she
hears-
The sound of her children laughing, outside.
ERIN
Matthew! Katie!
EXT. ERIN'S HOUSE - EARLY EVENING
She runs outside, trying to locate the voices. She follows
the sounds of her children laughing and talking, towards the
back of her yard, which sits across from:
EXT. GEORGE'S BACKYARD - EARLY EVENING
Katie and Matthew are sitting at a picnic table, eating
hamburgers and hot dogs, barbecued by George, who sits
opposite them with little Beth on his lap. They all seem
right at home. Erin is confused.
ERIN
What the hell happened?
MATTHEW/KATIE
Hi mom..
GEORGE
Hey. You hungry?
ERIN
What are they doing here? I went to pick
them up-
GEORGE
She came by about an hour ago. Said
something came up and she had to drop the
kids off.
ERIN
Something came up! Why didn't she call me
at work?
GEORGE
(Erin is
fearsome)
I don't know. She..I..she..I don't know.
ERIN
THAT FUCKING BITCH!
MATTHEW
MOM!
ERIN
Sorry!! I can't believe she just dumps my
kids off when nobody's home!!
GEORGE
I was home.
(Erin realizes
this)
They're fine.
The kids are being fed a full meal with clean plates and
napkins and glasses of milk. Beth acts like she's known
George all her life.
Erin doesn't know what to say. George just smiles.
INT. ERIN'S HOUSE - LIVING ROOM - NIGHT
George is on the floor with Matt and Katie, playing war.
Katie points to the Harley emblem on his leather jacket. Both
kids are dressed for bed. Erin watches them interact with
George. She notices how good he is with them. How comfortable
they are with him.
KATIE
What's that stand for?
GEORGE
That's for Harley Davidson. The best
damn motorcycle ever made.
ERIN
And if I catch either of you anywhere
near one, I'll knock you silly. Go on to
bed, now -- I'll come tuck you in, in a
minute.
They get up...
GEORGE
'Night.
KATIE AND MATT
'Night.
...and head into bed. George starts cleaning up the cards.
GEORGE
Great kids.
Erin bends down to help him.
ERIN
Yeah, well..I'm sure I'll fuck them up
eventually.
GEORGE
Why?
ERIN
I'm never here. I'm obviously not a good
judge of character or I would have never
left them with that idiot who cost a
fortune and smelled like chicken fat.
After I find her and kill her, I don't
know what I'm going to do.
GEORGE
If you need help with them, I could do
that.
ERIN
I'm not gonna leave my kids with you.
GEORGE
Why not?
ERIN
'Cause I don't even know you.
GEORGE
What do you want to know? Ask me.
ERIN
Look, thanks for today but-
GEORGE
You're welcome.
Erin doesn't know what to say.
GEORGE (CONT'D)
What's the matter, you got so many
friends in this world, you can't use one
more? I'm serious. If you need someone to
keep an eye on them -- after school or
something -- I don't have a job now, so
I'm around in the afternoons.
ERIN
Oh, that's a great recommendation. You're
unemployed?
GEORGE
By choice. I work when I need to.
ERIN
Yeah? And what do you do the rest of the
time, live off your trust fund?
GEORGE
I do construction, which pays real good.
And I make it last by living cheap.
ERIN
(with a little
laugh)
I hope that's not supposed to impress me.
GEORGE
Are you this hard on everyone who tries
to help you?
ERIN
It's been a while. I'm out of practice.
GEORGE
Then lemme remind you, the polite thing
is to say, thank you, it's a real nice
offer, I don't mind taking you up on it.
ERIN
Why in the hell would you want to watch
my kids?
GEORGE
Cause I like kids. I like hanging out
with them.
ERIN
Right.
She starts cleaning up the cards.
GEORGE
I do. I like how they keep it all
simple, you know? They don't get all
complicated, like grown-ups do. A
bicycle and an ice cream cone -- boom,
done, they're happy.
Erin thinks about the offer.
ERIN
You're around every afternoon?
GEORGE
Yup. Usually working on my bike.
She's tempted.
GEORGE (CONT'D)
No big deal. If it doesn't work out, you
can send 'em back to the chicken lady.
Tempting. Erin looks him over, then, as she exits:
ERIN
This isn't gonna get you laid, you know.
George laughs.
INT. ERIN'S HOUSE - ERIN'S BEDROOM - NIGHT
The wee hours. Erin's in a T-shirt, sitting on her mattress
on the floor. The paperwork from the box is now spread all
over the floor around her. She's reading a letter.
CLOSE ON THE LETTER
It's from PG&E, to Donna Peter Irving. We see the phrases,
"purchase your house...," "fair market value..."
CLOSE ON ANOTHER DOCUMENT
It's a list of comparable house sales in the area. Owner,
cost; owner, cost. Every house is in the $65,000 range.
From another room, she hears the sound of BETH CRYING. Still
reading the file, Erin gets up and goes into:
INT. ERIN'S HOUSE - BETH'S BEDROOM - NIGHT
Still reading, Erin gets Beth out of her crib. Beth quiets.
INT. ERIN'S HOUSE - ERIN'S BEDROOM - NIGHT
Erin lies down on the mattress and rests Beth on her chest.
She sets down the file she was reading and picks up another.
CLOSE ON THE FILE
It contains a letter from a Dr. Howard Reeves. The first
paragraph contains the phrase "...medical examination of
Donna and Peter Irving..."
Toward the end of the letter there are two columns. One is
headed: "IN RANGE". The other: "OUT OF RANGE". Under that
head appear the following: "lymphocytes, T-lymphocytes,
natural killer cells, T Helpers, T8 suppressor cells"...
Erin stares at it, confused.
INT. ED'S OFFICE - DAY
Ed sits at his desk, working. There's a knock.
ED
Yeah.
Erin enters, holding a file;
ERIN
Hi. Sorry. Would you mind if I
investigated this a little further?
ED
Investigated what?
ERIN
This real estate thing with the Irvings.
The pro bono case...
ED
(overlap)
Oh yeah, yeah, yeah..
ERIN
(overlap)
See, yeah..I just want to make sure I'm
understanding what I'm reading. So you do
mind?
ED
No, go ahead.
ERIN
Great. Thanks.
Erin exits. Ed returns to his work.
EXT. L.A. FREEWAY - DAY
The beat-up old Hyundai heads east out of L.A.
EXT. HINKLEY, CA - DAY
This is a dry, desolate part of California. No downtown, no
community. Just tract after tract of arid farmland, with
small, bland, unprotected ranch home cropping up out of
landscape like occasional tombstones.
A beat-up old sign on the road reads: "HINKLEY, CA. POP:"
but the corner where the number would be has broken off.
As a gust of wind lifts dust from the fields, Erin turns onto
Community Boulevard, the main road that cuts through Hinkley.
In doing so, she passes a nearby UTILITY PLANT. Its criss-
crossing PIPES and large COOLING TOWERS stand out clearly
against the flat, dry fields. Erin doesn't notice.
INT. ERIN'S HYUNDAI - DAY
Erin cruises through the neighborhood, looking at a piece of
paper with the Irvings' address on it. This area has seen
better days -- many of the houses have been razed, leaving
heaps of lumber and wire behind.
EXT. DONNA IRVING'S HOUSE - DAY
A generic ranch home standing all alone in the middle of
nothing. There's a pool out back and a chain link fence
hugging the property. No landscaping. Dull, but clean. A
few BOTTLES OF SPRING WATER wait by the door.
The Hyundai pulls into the driveway and stops. Erin gets
out. As she heads up to the door, her spike heels sink into
the dirt. She rings the bell. It has a melody chime.
DONNA IRVING opens the door. She's 35, petite, with a
scrappy, high-strung manner. She's wearing tight jeans, and
her dark curls are piled on top of her head.
ERIN
Hi. Donna Irving?
DONNA
Yes?
ERIN
I'm Erin Brockovich, from Masry &
Vititoe?
DONNA
(a little
surprised)
You're a lawyer?
ERIN
Hell, no. I hate lawyers. I just work
for them. You got a minute?
INT. THE IRVINGS' HOUSE - LIVING ROOM - DAY
The house is furnished with little money, but lots of care.
Erin's on a plaid couch, in a sea of needle point pillows.
Out back, two GIRLS, ages 9 and 11, are playing in a pool.
ERIN
This is a real nice place you got here.
DONNA (O.S.)
Well it oughta be, with all the work I
put into it.
She comes out from the kitchen with a tray of iced tea.
DONNA (CONT'D)
I added air conditioning, put in the
pool, made all those pillows by hand...
ERIN
Yeah? I should learn to do stuff like
that. They make the place feel real
homey.
Donna corrects the positioning on a couple of pillows.
DONNA
Thank you. I think so too. That's why
I'm being such a stickler on this house
price thing. I don't mean to be a pain
in PG&E's backside, especially after all
they've done for Hinkley, but I look
around here and I think, if they want
this place, they're gonna have to pay for
it. And I don't just mean pay for the
house; I'd like them to pay me for the
trouble of starting over.
ERIN
So you didn't have the house up for sale -
they just came to you and wanted buy it?
DONNA
Yeah. I don't want move. Uproot the kids.
And besides the moving, there's
decorating a new place, and if the
windows aren't the same size, you know --
you're making all new curtains. Honest
to God, I don't know if I have the
energy. You know, I've been sick. Me
and Pete both have.
ERIN
Yeah, I'm real glad you brought that up.
I was going through your file here, and I
ran into these medical records. They
kinda surprised me --
This would be the perfect opportunity for many to get self-
pitying. But not Donna. Life's handed her a shitload of
lemons, and darned if she hasn't made a shitload of lemonade.
DONNA
I know. They're more than a bit unusual.
See, two years ago, Pete got Hodgkin's
disease. That's a kind of cancer --
ERIN
Yeah, I'm real sorry to hear that.
DONNA
Thank you. It's in remission now, thank
the Lord, but you never know. And then
while that's going on, I end up having to
have a hysterectomy. Plus a whole mess
of lumps removed from my breasts. All
benign so far, but still, no matter how
positive you stay, an operation can still
take it out of you.
(Erin nods)
So the whole idea of selling the house --
if they aren't gonna pay us properly, I
just don't see the point.
ERIN
Yeah, I can see that.
(beat)
I guess the only thing that confused me
is -- not that your medical problems
aren't important, but -- how come the
files about them are in with all the real
estate stuff?
Donna tops off their iced teas.
DONNA
There's so much correspondence, I just
keep it all in one place.
ERIN
Right, but -- I'm sorry, I don't see why
you were corresponding with PG&E about it
in the first place.
DONNA
Well, they paid for the doctor's visit.
ERIN
They did?
DONNA
You bet. Paid for a check-up for the
whole family. And not like with
insurance where you pay, then wait a year
to be reimbursed, either. They just took
care of it. Just like that. We never
even saw a bill.
ERIN
Wow. Why would they do that?
DONNA
'Cause of the chromium.
ERIN
The what?
DONNA
The chromium. Well, that's what kicked
this whole thing off.
INT. ERIN'S HYUNDAI - DAY
As Erin leaves Hinkley, she stops the car and takes a look at
the power plant she passed so obliviously on her way into
town.
Maybe it's the angle, or maybe it's what Donna's been telling
her, but somehow the plant seems more threatening now. Like
it's bearing down on the town.
EXT. UCLA MAIN LIBRARY - DAY
Large. Looming. Very establishment. Through the windows,
we see Erin at the desk, talking to a LIBRARIAN. She has the
file in her hands.
The librarian gives her directions to somewhere else.
INT. UCLA SCIENCE BUILDING - HALLWAY - DAY
A long, academic hallway lit by fluorescents. Erin gets off
an elevator and heads down the hall. She finds a door with a
nameplate that reads "Brian Frankel, Toxicology" and KNOCKS.
The door opens and DR. FRANKEL appears, looking as though
he's getting ready to leave. Nothing like Erin has ever
shown up at his door. He reels at the sight of her.
ERIN
Doctor Frankel?
FRANKEL
Yes?
ERIN
Hi, I'm Erin Brockovich. I was just over
in the library there, asking a mess of
questions about -- I guess they call it
toxicology? -- and the fella there told
me to find you, 'cause you know all about
it.
FRANKEL
(suspicious)
Is this a joke? Did Baxter put you up to
this?
ERIN
Who's Baxter?
FRANKEL
He did, didn't he? Baxter!
BAXTER, another scientist, leans out of a door down the hall.
BAXTER
Yeah?
Baxter and Erin look at each other. No recognition, of
course. Frankel is immediately embarrassed.
FRANKEL
Oh. Oh.
ERIN
No one put me up to anything. I was just
hoping I could ask you a couple
questions.
FRANKEL
(mortified)
Of course! Oh, Gosh, of course --
INT. BUILDING CORRIDOR - DAY
Erin follows Frankel down the hall.
FRANKEL
What kind of chromium is it?
ERIN
There's more than one kind?
FRANKEL
Yes. There's straight-up chromium --
does all kinds of good things for the
body. There's chrom 3, which is fairly
benign, and then there's chrom 6,
hexavalent chromium, which, depending on
the amounts, can be very harmful.
EXT. UCLA CAMPUS - DAY
Erin and Dr. Frankel continue walking.
ERIN
Harmful, like -- how? What would you
get?
FRANKEL
With repeated exposure to toxic levels --
God, anything, really -- from chronic
headaches and nosebleeds to respiratory
disease, liver failure, heart failure,
reproductive failure, bone or organ
deterioration -- plus, of course, any type
of cancer.
He rattles it off coolly. Just facts. Erin's stunned.
ERIN
So that stuff -- it kills people.
FRANKEL
Oh, yeah. Definitely. Highly toxic,
highly carcinogenic. Bad, bad stuff.
ERIN
What's it used for?
FRANKEL
A rust inhibitor. See, the utility plants
run these piston engines to compress the
gas, the engines get hot, you gotta run
water through them - chromium's in the
water to prevent corrosion...
ERIN
Well, how do I find out what kind of
chromium they use in Hinkley?
FRANKEL
Have you been to their water board?
ERIN
Hunh-uh. What's that?
FRANKEL
Every county has one. They keep records
of anything water-related within their
jurisdiction. You should be able to find
something there.
ERIN
County water board. All righty, thanks.
FRANKEL
Good luck.
(beat)
Oh -- I wouldn't advertise what you're
looking for if I were you...incriminating
records have a way of disappearing when
people smell trouble.
EXT. LAHOTAN REGIONAL WATER BOARD - DAY
A small building on a small street baking under the desert
sun. Anybody with any sense is inside, out of the heat.
Erin's Hyundai pulls up and stops in a cloud of dust. Erin
hops out, checks her reflection in the side-view mirror, then
heads into the building.
INT. LAHOTAN REGIONAL WATER BOARD - DAY
Drab, government-issue. ROSS, the bored desk clerk is
thumbing his way through ROAD & TRACK. Just as he stops to
stare at a motor oil ad in which a buxom blonde is straddling
the hood of a car, the huge door opens and Erin enters.
ERIN
Whew! Goddamn, that's a heavy door.
Ross looks up. It's like the girl from the ad walked right
off the page. He jumps up, to help her with the door.
ROSS
Oh, hey -- lemme give you a hand there.
ERIN
Thank you very much. Aren't you a
gentleman? Mr....
ROSS
Ross.
ERIN
Ross. Real pleased to meet you. I'm
Erin.
She smiles. He can't believe his luck.
ROSS
Erin. Cool. What can I do for you,
Erin?
ERIN
Well, believe it or not, I am on the
prowl for some water records.
ROSS
(with a laugh)
You come to the right place.
ERIN
(laughing along)
I guess I did.
ROSS
You just tell me what you want to look at
and I'll be glad to dig 'em out for you.
ERIN
I wish I knew. It's for my boss. He's
fighting his water bill, and he wants me
to find all manner of bills from all
kinds of places. The easiest thing would
probably be if I just squeezed back there
with you and poked around myself. Would
that be okay?
ROSS
Heck, yeah. Come on back. Just gonna
need you to sign in here --
He hands her a pen. He reads over her shoulder as she signs
her name -- Erin Pattee Brockovich.
ROSS (CONT'D)
Pattee? That your middle name?
ERIN
Nope. Maiden.
ROSS
(disappointed)
You're married.
ERIN
Not anymore.
She smiles and winks at him, then goes around the counter
with him and looks at the stacks and stacks of files.
ERIN (CONT'D)
Well. Here goes nothing.
She heads down an aisle, reading the spines of the files.
They're all town names -- Barstow, Victorville, Oro Grande,
Helendale -- in no particular order. Finally, Erin spots one
that says Hinkley. She pulls it down.
IN THE FILE
are pages and pages of Xeroxed memoranda, letters, charts,
graphs, handwritten notes. All shoved in willy-nilly.
INT. ERIN'S HOUSE - MAIN ROOM - DAY
George is watching a football game on TV. He's just put TV
dinners on the floor in front of the Matt and Katie.
MATT
Our mom gives us sandwiches on Fridays.
GEORGE
That's a sandwich.
KATIE
No, it's not!
GEORGE
Sure it is. Here, I'll show you.
He picks up Matt's chicken, tears it in two...
GEORGE (CONT'D)
Most people think a sandwich's gotta have
bread on the outside. Not true. Chicken
is a perfectly good outside for a
sandwich.
...then places the broccoli neatly between the halves.
GEORGE (CONT'D)
See?
Katie and Matthew look at it, then up at George, and smile.
They eat quietly - not watching the TV. George gets the
feeling they're not into the game. He grabs the remote and
turns on a Nickelodeon-type show. They perk up, recognizing
it. He likes pleasing them. He looks over to Beth -
George likes how this feels.
EXT. WATER BOARD - NIGHT
It's gotten dark. Erin's Hyundai's still there.
INT. WATER BOARD - NIGHT
Erin is on the floor, her legs stretched out in front of her.
She has a bunch of files open and spread across the floor.
The one in her hand has caught her attention.
INSERT ON THE PAPER
It's a memo titled: "CLEAN-UP AND ABATEMENT ORDER" from the
water board to PG&E. Erin is concentrating hard on it,
reading laboriously to herself.
ERIN (O.S.)
"...On December 7, 1987, the discharger
notified the regional board and the San
Bernardino County Environmental Health
Services of the discovery of 0.58 ppm of
hex-a-....hex-a-valent chromium in an on-
site ground water monitoring well..."
(beat)
...hexavalent...
INT. MASRY & VITITOE - RECEPTION - DAY
CLOSE ON A XEROX OF THE ABATEMENT ORDER. WIDEN to see it is
on top of a stack of papers that Erin is carrying as she
enters the office. She has an efficient air about her -- a
sense of purpose.
INT. MASRY & VITITOE - FILE ROOM - DAY
Erin swoops in, ready to work, only to find her desk cleared
off. She turns to Anna, who's already hard at work.
ERIN
Where's my stuff?
Anna looks up.
ANNA
Where've you been?
ERIN
What the fuck did you do with my stuff?
ANNA
Don't use language with me --
But Erin's out the door before Anna can finish her sentence.
INT. MASRY & VITITOE - JANE'S OFFICE - DAY
JANE is at her desk. Erin barrels in.
ERIN
Someone stole my stuff.
JANE
Nice to see you, Erin. We've missed you.
ERIN
I had photos of my kids, plus a mug --
Jane reaches under her desk for a box, looks through it.
JANE
-- toothbrush, toothpaste, and a pair of
hose. Here.
ERIN
What's going on?
JANE
There may be jobs where you can disappear
for days at a time, but this isn't one of
them. Here, if you don't do the work,
you don't get to stay.
She hands her the box. Erin doesn't take it.
ERIN
I've been working. Shit, that's all I've
been doing. Ask Mr. Masry. He knows.
INT. MASRY & VITITOE - ED'S OFFICE - DAY
Ed's at his desk, dialing the phone when Erin barrels in.
ERIN
You said to fire me?
He sets down the receiver.
ED
Erin, you've been gone for a week.
ERIN
I left a message. I've been dealing with
that real estate thing. I was gonna
write up a whole damn report and --
ED
That's not how we work here. You don't
just leave a message and take off.
Jane follows her in, still carrying the box of stuff.
ERIN
What am I supposed to do, check in every
two seconds?
JANE
Yes. It's called accountability.
ERIN
I am not talking to you, bitch.
JANE
Excuse me?
ED
Okay, enough --
(beat)
Now, look Erin -- this incident aside, I
don't think this is the right place for
you. So what I'm gonna do is make a few
calls on your behalf. Find you something
else, okay?
ERIN
Don't bother.
She turns to Jane, takes her box, and heads out.
ED
Come on, I'm trying to help here.
ERIN
Bullshit. You're trying to feel less
guilty about firing someone with three
kids to feed. Fuck if I'll help you do
that.
And she leaves.
INT. MASRY & VITITOE - OUTSIDE ED'S OFFICE - DAY
As Erin heads for the door, pleased glances fly from
secretary to secretary. Erin reaches the door, but can't
open it with the box in her arms. She turns to the room.
ERIN
I don't suppose any one of you cunts
could open the door for me.
INT. ERIN'S HOUSE - MAIN ROOM- DAY
Erin enters, puts down the box and stares at the mail.
Bills, bills, and more bills. As she throws them on the
table, she sees George coming out of the kitchen.
ERIN
What are you doing here?
GEORGE
Fixing a leak under your sink.
She heads into the kitchen, weary and irritated.
ERIN
I didn't ask you to do that. Damn it,
George, I don't ask you to do things like
that.
INT. ERIN'S HOUSE - KITCHEN - DAY
Erin enters, sees all the cleaning stuff from under the sink
is spread around the kitchen floor. A tool box lies open.
ERIN
Great.
GEORGE
I'm gonna clean it up.
Erin gets down on her knees and starts putting things away.
GEORGE (CONT'D)
Relax, Erin, I'll do it -- I'm not --
Before he can finish, a huge WATER BUG runs onto Erin's hand.
ERIN
Ugh -- Jesus --
She jumps and brushes it off.
GEORGE
Yeah -- you had a whole family of those
things hanging out back there.
She takes off her shoe and smacks at the bug, missing it.
ERIN
Damn it --
The bug skitters away from her, along the floorboard. Erin
chases it, smacking at it repeatedly, missing it every time.
GEORGE
Don't worry about it, I'll get it later.
But Erin keeps after it, corralling all her frustrations into
killing that one bug.
ERIN
Come here, you little motherfucker --
The bug crawls up onto the table, zipping behind the salt,
the paper, the napkin holder. Erin keeps after it, BANGING
the table harder and harder with each SMACK of her shoe.
GEORGE
Hey, whoa -- relax --
The salt and pepper skid off the table. The napkins fly from
their holder. Just as Erin's about to nail the bug, it slips
into a crack in the wall and disappears. Erin hurls her shoe
at the crack. It SMASHES into the wall.
ERIN
GOD DAMN IT!
As Erin stands there staring at the wall, her breath starts
to come heavily -- those deep breaths that precede tears.
She slowly slides down into a chair, defeat overcoming her.
ERIN
(almost a whisper)
...God damn it.
She looks around at her for-shit kitchen and starts to cry.
ERIN (CONT'D)
What kind of person lives like this?
Huh? What kind of person lets her kids
run around in a house crawling with bugs
the size of housecats?
GEORGE
It's a simple thing. Everybody gets
them. All we gotta do is call an
exterminator.
ERIN
I can't call an exterminator. I can't
afford one. God, I can't even afford my
phone.
(beat)
I got fired.
GEORGE
What? But you been working so hard --
ERIN
Doesn't matter. Doesn't make one fucking
bit of difference.
She exits. After a beat, George follows.
INT. ERIN'S HOUSE - ERIN'S BEDROOM - DAY
Erin sits on the bed, drying her eyes. George enters. Erin
looks up at herself in the mirror above her bureau.
ERIN
I don't know what happened to me...
George listens by the door.
ERIN (CONT'D)
I mean I was Miss Wichita, for Christ
sakes. Did I tell you that? Did ya
know you were living next door to a real
live beauty queen.
(wipes her nose)
I still got the tiara. I thought it
meant I was gonna do something important
with my life, that I was gonna be
someone.
GEORGE
You are someone.
ERIN
No I'm not. Look at me.
GEORGE
You're someone to me.
He takes a step toward her and kneels in front of her, very
close. He takes her shoe from her hand and puts it back on
her foot. Then he takes her hands in his and kisses them.
ERIN
Are you going to be something else I have
to survive? Cause I'll tell you the
truth, I'm not up to it.
But he kisses her anyway. And for the first time in so long,
she feels like something other than a failure. He pulls her
into him, and she lets herself be pulled.
INT. ERIN'S HOUSE - ERIN'S BEDROOM - DAY
Erin and George are in bed, naked, curled around each other.
As Erin recites her beauty queen speech, they are both
laughing at the naive, impossible goals of her youth.
ERIN
"....and I will devote my entire reign as
Miss Wichita to bringing an end to world
hunger...and to the creation of a
peaceful earth for every man, woman and
child..."
GEORGE
How long were you going to be Miss Wichita?
ERIN
One year!
(George laughs)
Of course by the time I got through
opening new supermarkets. I had just a
few weeks left for hunger and world
peace, so..Ha, ha, ha...damn..I don't
know what the hell I was thinking.
GEORGE
I wanted to run my own antique shop.
Erin looks at him. Beat. She bursts into laughter.
GEORGE (CONT'D)
(laughing)
Oh that's nice..that's very nice!
He starts tickling her. She screams then covers her mouth so
as not to wake the kids...They roll over each other.
ERIN
I'm sorry...I'm sorry...
GEORGE
My parents rented antiques on the side.
I'm not just some grease monkey, you
know.
ERIN
Oh, I know. You're one of those Zen gods
of motorcycle maintenance, aren't you?
GEORGE
(smiles)
Maybe. Maybe there's a reason I found
that place next door. A reason I revved
my bike that night and you came out
tearing my head off.
ERIN
Yeah, we just did the reason.
She says this as she is about to get up but George holds
her back, suddenly dead serious...
GEORGE
Don't do that to yourself. If that's all
I wanted, I don't need to go next door to
a woman with three kids...
Erin suddenly grows uncomfortable at the implied intimacy.
GEORGE (CONT'D)
(laughs)
All I'm saying is, I can't believe
whatever kind of God there is, put you
here - looking the way you look, with the
brains and balls you got - just to
trip you up and watch you fall. Can't be.
He kisses one of her earlobes. Erin likes the sound of this
but it also makes her apprehensive. She leans in to kiss him,
but before she does:
ERIN
Don't be too nice to me, okay? It makes
me nervous.
George looks almost hurt, but empathetic. Erin kisses him
long and hard as they begin to make love again.
INT. MASRY & VITITOE - ED'S OFFICE - DAY
Ed is at his desk. The PHONE RINGS. And RINGS. And RINGS.
ED
Brenda!
(no answer)
BRENDA!
Nothing. Ed growls in frustration, then gets the phone.
ED
Yeah, Ed Masry here...She doesn't work
here anymore. Who's this?
INT. ERIN'S HOUSE - KITCHEN - DAY
CLOSE ON THE TABLE, where Beth is bobbling in her baby chair.
On one side of her is a heap of bills with "PAST DUE" and
"PLEASE REMIT" stamped on them. On the other, the well-
thumbed CLASSIFIED SECTION, with circles and X's all over it.
The DOORBELL rings. Erin swoops in and picks up Beth.
ERIN
Come on, baby. Maybe that's Ed McMahon.
INT. ERIN'S HOUSE - FRONT DOOR - DAY
Erin carries Beth over to the front door, spies through the
peephole, and sees Ed standing there. She opens the door.
ERIN
Wrong Ed.
(Ed looks
confused)
What are you doing here?
ED
I got an interesting call this afternoon.
It was from a Doctor Frankel from UCLA.
ERIN
Oh, yeah?
ED
He wanted you to know the legal limit for
hexavalent chromium, is .05 parts per
million. And that at the rate you
mentioned, .58, it could be responsible
for the cancers in that family you asked
about. The Irvings.
ERIN
Well, that was nice of him. Isn't it
funny how some people go out of their way
to help people and others just fire 'em.
ED
Look, I'm sorry. You were gone. I just
assumed you were off having fun.
ERIN
Now, why in the hell would you assume
that?
ED
I don't know. Maybe 'cause you look like
someone who has a lot of fun.
ERIN
OH! So by that standard I should assume
you never get laid.
Ed takes a beat, copping to the charge. He admits:
ED
I'm married.
(Erin suppresses
a smile)
So what's the story on this thing? This
cancer stuff?
ERIN
You wanna know, you gotta hire me back.
I got a lot of bills to pay.
He glares at her. Realizes he has no choice.
ED
Fine.
INT. ERIN'S HOUSE - LIVING ROOM - LATER
Erin has let Ed in. They're sitting.
ERIN
..so Donna had just put in these new
cabinets - real nice, stained the wood
and all - when she gets this call from
somebody at PG&E saying that a freeway's
gonna be built and they want to buy her
house so they can make an off ramp for
the plant...Meanwhile, the husband's sick
with Hodgkins and she's in and out of the
hospital with tumors - believing one
thing has anything to do with the other.
ED
Because PG&E told her about the chromium.
ERIN
Get this - they held a seminar. They
invited about two hundred residents from
the area. They had it at the plant in
this warehouse. They set up legal booths
to tell them what their legal rights
were. They had medical booths to tell
them what their medical rights were....
Ed is listening with more and more interest.
ERIN (CONT'D)
...Telling them all about Chromium 3 and
how it was good for you, when all the
time they were using Chromium 6.
ED
(impressed)
You got all this from her?
ERIN
(beat. shrugs)
She made coffee. Cupcakes. She's real
nice.
Beat.
ED
That document you found at the Water
Board, the one that says it was the bad
chromium -- you didn't happen to make a
copy did you?
ERIN
'Course I did.
ED
Lemme see it, will you?
Before getting it for him, she looks at him.
ERIN
I want a raise. And benefits. Including
dental.
ED
Look, Erin, this is not the way I do
business.
ERIN
What way is that?
ED
Extortion.
Erin doesn't budge.
ED
Okay. A five percent raise, and --
ERIN
Ten.
(off his look)
There's a lot other places I could work. I
could even take everything I know to
another law firm.
ED
A ten percent raise and benefits. But
that's it. I'm drawing the line.
She goes to her box of stuff from the office and digs out the
document for him. He scans it.
ED
This is the only thing you found?
ERIN
So far. But that place is a pig sty. I
wouldn't be surprised if there's more.
ED
I know how those places are run. They're
a mess. What makes you think you can just
walk in there and find what we need?
ERIN
They're called boobs, Ed.
Shaking his head, Ed rises to leave as he says;
ED
I can't believe you just said that...
EXT. 10 FREEWAY - DAY
Erin's Hyundai zips along the freeway.
Erin's driving. Matthew's in the front seat. Katie and Beth
(in a car seat) are in the back;
INT. HYUNDAI - DAY
Improvisational...i.e. Matthew keeps trying to tell a joke he
heard. Katie keeps trying to guess, like it's a riddle,
frustrating Matthew and cracking up Erin...
EXT. PG&E COMPRESSOR STATION - DAY
The Hyundai is parked at the entrance to the station, by a
row of dead trees. Erin is standing beside a sign that says
"Private Property. No Trespassing," taking pictures of the
massive structure in the distance. Matthew, Katie, and Beth
are drawing in the dirt with sticks.
ERIN
Stay out of the road. I'll be right
back.
She wanders up the drive, onto PG&E property, moving around
the plant, taking pictures of it from every possible angle.
As she wanders over a big, flat, dry field to the side of the
plant, she glances over her shoulder to check on her kids and
notices the trail she made in the dirt has a greenish hue.
She looks at the dirt right her feet. Kicks the ground.
Below the surface, the dirt turns from brown to green. Erin
notes this, then looks back at her kids playing in the dirt.
Worry comes over her face. She heads back to them.
EXT. HINKLEY MART - DAY
The kids are waiting at the car. Erin comes out of the store
with a bottle of water and uses it to rinse off their hands.
EXT. WATER BOARD - DAY
The sound of a BABY CRYING. The Hyundai's parked in front.
MATTHEW (O.S.)
I'm hungry.
INT. WATER BOARD - DAY
Erin is at the Xerox machine, copying a file while she tries
to calm Beth. There's a stack of files on the nearby table.
Matthew and Katie are flopping around on the floor.
ERIN
We'll go eat in a minute. Settle down.
Ross is on the phone with someone - we don't know who - but
the look on his face is one of anxiety. His eyes keep
shifting between the call and Erin. He nods as if he
understands and hangs up... He crosses to her.
ROSS
(real friendly)
So, how we doin'?
ERIN
We're doing great?
ROSS
(off the cuff)
Good..Well, you've got quite a lot done
already..so uhh...I'm sorry but uh...we
...we have to have those records back
now. OK?
Erin stops..looks at him..and quickly knows how to respond;
ERIN
No.
ROSS
What?
ERIN
These papers are a matter of public
record. I'm not leaving til they're
copied.
Erin returns to copying. Ross is stymied.
INT. MASRY & VITITOE - BRENDA'S DESK - DAY
Ed comes in in the morning, and without pausing, hands Brenda
a copy of the STACK OF DOCUMENTS, with a Post-It on the top.
ED
Fax these to this number, okay?
BRENDA
All of 'em?
ED
All of them.
He continues into his office and closes the door.
CLOSE ON THE FAX MACHINE LED
Brenda types in the number. The recipient's ID comes up on
the LED: PG&E CLAIMS DEPT.
INT. IRVING HOUSE - LIVING ROOM - DAY
Donna has made lunch for Erin. The remnants are on the coffee
table. A copy of those DOCUMENTS are in Donna's hands. She's
on her couch with Erin, reading them. Outside, Donna's two
daughters are playing in the pool. She reads the last page
and looks up at Erin, bewildered.
DONNA
An on-site monitoring well? That means --
ERIN
It was right up on the PG&E property over
there.
DONNA
And you say this stuff, this hexavalent
chromium -- it's poisonous?
ERIN
Yeah.
DONNA
Well -- then it's gotta be different than
what's in our water, 'cause ours is okay.
The guys from PG&E told me. They sat
right in the kitchen and said it was
fine.
ERIN
I know. But the toxicologist I been
talking to? He gave me a list of
problems that can come from hexavalent
chromium exposure. And everything you
all have is on that list.
Donna resists this idea hard.
DONNA
No. Hunh-uh, see, that's not what the
doctor said. He said one's got
absolutely nothing to do with the other.
ERIN
Right, but -- didn't you say the doctor
was paid by PG&E?
Donna sits quietly, trying to make sense of this. The only
sound is the LAUGHING and SPLASHING from the pool out back.
Then, gradually, Donna realizes what it is she's hearing --
her kids playing in toxic water. She jumps up...
DONNA
ASHLEY! SHANNA!
...and runs out to the pool. Erin follows her.
EXT. DONNA'S HOUSE - DAY
From the door, Erin watches Donna run to the edge of the pool
in a frantic response to this news.
DONNA
OUT OF THE POOL! BOTH OF YOU, OUT OF THE
POOL, RIGHT NOW!
SHANNA
How come?
DONNA
'CAUSE I SAID SO, THAT'S WHY, NOW GET
OUT! OUT! NOW!!!
Erin watches compassionately as Donna flails to get her kids
out of the contaminated water.
INT. ED'S OFFICE - DAY
Ed is attempting to tie his tie in a mirror, as Erin looks
on. He's very excited as he fumbles the knot...
ED
I'm telling you, the minute Brenda sent
the fax -- I'm talking the second she
pressed that send button -- PG&E claims
department is on the phone to me,
scheduling a meeting.
ERIN
So you think we...let me do this, you're
driving me nuts...
She makes him face her as she ties his tie....
ED
It's the material.
ERIN
(looks at label)
Armani?
(Ed shrugs)
You think we scared'em, don't you?
ED
Well, they're taking the time to send
someone. It sure as hell sounds like
they're sitting up and taking notice. Now
do me a favor, and let me handle this.
Lawyers have a way of talking to each
other.
ERIN
(humoring him)
Oh, I know.
Brenda pops her head in, ignores Erin - though clearly takes
notice of her tying Ed's tie.
BRENDA
David Baum from PG&E is at reception.
Erin feels the chill Brenda's sending her way. Erin decides
to tease her by speaking to Ed in a sultry voice:
ERIN
Oh Mr. Masry, we better learn how to
dress faster. People can come in so
suddenly..(giggles)
Brenda leaves without acknowledging Erin. Ed grimaces;
ED
Is that..
ED (CONT'D) ERIN
..necessary? Brenda's gonna Oh come on. I'm teasing. Who
open her mouth all over the gives a shit...
offi-
INT. MASRY & VITITOE - BRENDA'S DESK - CONTINUOUS
Jane is delivering paychecks, spots Brenda exiting Ed's office
and whispers:
JANE
What's she doing here?
BRENDA
He hired her back. With a raise.
JANE
What?? Why?
BRENDA
He's a man...She's a woman.
JANE
What are we - office supplies?
INT. MASRY & VITITOE - MAIN ROOM - DAY
Ed and Erin come out and see DAVID BAUM waiting at reception.
Forget law school, this kid looks like he's just out of
twelfth grade. Not a hair on his chin. His suit and shoes
look brand new.
Ed stops suddenly, before being seen. Erin stops too.
ERIN
What?
Ed's expression upon seeing the "young" representative tells
us he's none too happy.
INT. MASRY & VITITOE - CONFERENCE ROOM - DAY
Ed and Erin are seated across the table from Baum. To say
this kid lacks authority is a gross understatement. He
doesn't talk; he squeaks.
BAUM
...in the interest of putting this whole
thing to rest, PG&E is willing to offer
the Irvings 250,000 dollars for their
home.
Ed laughs a little in disbelief.
ED
250,000?
BAUM
In terms of land value out in Hinkley,
Mr. Masry, we feel it's more than fair
price.
ED
What about in terms of medical expenses?
250,000 doesn't come close to what this
family's gonna have to spend on doctors.
BAUM
I understand they've had a bad run of
luck, health-wise, and they have my
sympathies. But that's not PG&E's fault.
ED
You're kidding, right?
Baum doesn't answer.
ED (CONT'D)
Look at these readings for Christ's sake.
PG&E's own technicians documented toxic
levels of hexavalent chromium in those
test wells on numerous occasions.
Ed shoves them across the table. Baum doesn't look at them.
ED (CONT'D)
Everything the Irvings have had is proven
reaction to exposure to hexavalent
chromium. They've had...
He stalls a moment. Erin jumps in.
ERIN
-- breast cysts, uterine cancer,
Hodgkin's disease, immune deficiencies,
asthma, chronic nosebleeds.
Despite their persuasiveness, Baum parrots what is obviously
the party line:
BAUM
A million things could have caused those
problems. Poor diet, bad genes,
irresponsible lifestyle. Our offer is
final and more than fair.
ED
Wait a minute -- I thought we were
negotiating here.
BAUM
250,000 is all I'm authorized to offer.
Ed looks across at this pissant little kid. Then stands.
ED
I will present your offer to my clients.
I doubt they'll accept it.
As Ed starts out, Baum tries to take a stand;
BAUM
Mr. Masry, before you go off on some
crusade, you might want to remember who
it is you're dealing with here. PG&E is
a twenty-eight-billion-dollar
corporation.
ED
(smiles, acting
excited/greedy)
Twenty-eight billion dollars! I didn't
know it was THAT much! WOW!
Baum suddenly realizes he's made a mistake admitting the
company's wealth. Ed leaves the conference room. Erin
follows him out.
INT. MASRY & VITITOE - MAIN ROOM - DAY
Erin follows Ed as he stomps back to his office.
ERIN
At least they made an offer.
ED
(undoing his
tie)
That wasn't an offer. A million would've
been an offer. When they send the god
damn mail clerk down to jerk me off,
waste my time, it's a fuck you.
Ed throws the tie off.
ERIN
I don't get why they'd do that.
ED
Because they can. You heard that kid --
they have twenty-eight billion dollars at
their disposal. They can afford to waste
all the time in the world!
ERIN
And you can't?
ED
What, you think I'm made of money?!
ERIN
What are you yelling at me for?
ED
Because I'm fucking pissed off!
ERIN
(yells back)
Good!
ED
FUCK YOU!
Erin starts to smile. Ed cracks a smile then starts to laugh.
ED
I really hate you sometimes, ya know
that.
ERIN
You love me.
INT. MASRY & VITITOE - LADIES ROOM - NIGHT
At the end of her day, Rosalind enters to fix herself up
before going home. She walks in on:
Erin, splashing cold water on her face..and dabbing her eyes
with cool, wet paper towels...They do not speak as Rosalind
steps beside her to face the mirrors above the sink. After a
beat or two, Erin exits.
Alone, Rosalind has her lipstick and is about to apply when
she looks at herself in the mirror...She tries lowering her
neckline...then, loosening up her hair...as if secretly
showing herself what an Erin-makeover would do for her.
INT. MASRY & VITITOE - OUTSIDE ED'S OFFICE - NIGHT
End of the day. Most everyone has left. Erin is at her new
work space near Ed's office. She's poring over a fat file of
documents. Rosalind wanders by with her coat on.
ROSALIND
You've been reading for hours.
ERIN
I'm a slow reader.
Whatever she thinks of her, Rosalind can't help but see
Erin's hard at work. She turns on Erin's desk lamp and heads
out - it's the first helpful hand Erin has received from
one of the women.
Erin turns back to her work when her attention is then drawn
to the big glass office doors; on the other side, Rosalind is
talking to a lost-looking COUPLE IN THEIR MID-30's. These
are MANDY and TOM BROWN. He's in a security guard uniform,
with an envelope under his arm. Rosalind points to Erin.
The Browns enter the office and approach her.
MANDY
Excuse me, are you Erin Brockovich?
ERIN
Yeah. Who are you?
TOM
I'm Tom Brown. This is my wife Mandy.
We used to live across the street from
the Irvings. PG&E bought our house last
year.
INT. ERIN'S DESK - LATER
CLOSE ON PHOTOS OF CHICKENS, each with a twisted, limp neck.
TOM
It's called wry neck. It's when they're
born without any muscles in the neck.
WIDEN to see Erin looking at them with Tom and Mandy.
ERIN
Wow. How many were born like this?
TOM
Twelve, maybe thirteen.
MANDY
When Donna told us about you, and what
you told her about the chromium, we
figured that might have something to do
with this, too.
ERIN
It sure could, yeah. Thanks a lot.
She tucks them into a file, as if that's it.
MANDY
There's something else, too.
ERIN
What?
TOM
Well. Mandy here's had nine
miscarriages.
ERIN
Are you kidding? My God --
MANDY
I know. It's an awful lot.
ERIN
I'm surprised Donna didn't say anything.
TOM
She doesn't know. No one does. It's not
something you want to talk about, you
know?
MANDY
I figured it musta been something I did,
like when I smoked marijuana, maybe. Or
took birth control pills. But then Donna
told me you thought this chromium might
be to blame for her problems, so I
figured...
INT. ERIN'S HOUSE - NIGHT
Erin enters, exhausted. She collapses on a chair.
George is on his hands and knees, apparently searching for a
lost toy. Erin talks to him with her eyes closed.
ERIN
I got to take a bath.
GEORGE
You should go in.
ERIN
They're not asleep?
GEORGE
Katie and Beth are.
They exchange a look. Erin knows Matt's upset.
INT. ERIN'S HOUSE - MATT AND KATIE'S ROOM - NIGHT
Matt and Katie are in bed, with the light off. Erin comes
in, quietly, in clothes from work.
ERIN
Hey.
CLOSE ON MATT. He's awake and pissed. She sits on his bed.
She knows he's mad at her - she speaks softly, caringly;
ERIN
How was school?
MATTHEW
Fine.
ERIN
Did you do your homework?
MATTHEW
Yeah.
ERIN
Any problems?
He doesn't answer. She comes in and sits on the bed.
ERIN (CONT'D)
Look, I know you're upset. But the way
this job is, things come up at the last
minute, real important things, and I
gotta deal with-
Matt turns around in his bed and pulls up the covers, cutting
her off-
MATTHEW
Fine.
ERIN
Please don't be mad at me. I'm..I'm doing
this for us...I know it's hard for you to
understand but..I mean, don't you want
mommy to be good at her job?
(no answer)
And it's not like I miss dinner all the
time. We all ate together last night.
MATTHEW
(from under the
covers)
You were reading the whole time.
He's got a point there. Erin feels like shit.
ERIN
O.K...O.K. I'm sorry. I'll try a whole
lot harder to be around, okay? I
promise.
She lays her hand on his body. Without turning towards her,
his little hand rises out from the covers and touches hers.
EXT. ROUTE 10, INLAND EMPIRE - DAY
Ed's big old Mercedes is toodling down the freeway at a rate
well below the speed limit.
INT. ED'S MERCEDES - DAY
Frank Sinatra on the stereo, the "Songs for Swingin' Lovers"
album. Ed looks over at Erin and smiles. Erin just stares at
him, then looks over at the speedometer. 50 mph. Ugh.
Ed's car phone rings. He picks it up.
ED
Ed Masry.
(his voice
softens)
Hi, baby. Yes, I did. I did, really.
He laughs, and the car starts drifting across the lane markers.
THWACK THWACK THWACK. Ed doesn't notice. Erin's getting nervous.
ED (CONT'D)
Of course I do. Of course I do. Okay.
He makes a kissing noise into the phone. He's practically
driving off the road.
ED (CONT'D)
Bye-bye...bye-bye...no, you. Okay,
together: Bye-bye.
He hangs up, smiling to himself. Erin clears her throat.
ERIN
Um, you mind pulling over? Just for a
second?
EXT. FREEWAY - DAY
The Mercedes pulls to a stop on the shoulder. Erin gets out,
walks around to the driver's side, and opens the door.
ERIN
First of all, don't talk baby talk to
your wife in front of me. It really
undermines your authority. Second, I know
you're my boss and all, but you are the
worst fucking driver I've ever seen. Move
over or I quit.
He moves over. She gets in, turns off the Sinatra, and they
pull back out onto the freeway in silence.
EXT. IRVING'S HOUSE - NIGHT
The Mercedes and a truck are parked out front.
PETE (O.S.)
There's something about this whole thing
I don't quite understand, Mr. Masry.
INT. DONNA IRVING'S HOUSE - LIVING ROOM - NIGHT
Donna and Pete Irving, and Mandy and Roy Brown are all
seated, sipping iced tea. While they talk, Erin hands them
all information packets on chromium. Ed is standing in front
of them, a little stiff.
PETE
If PG&E messed with our water, why would
they bother saying anything about it to
us? Why not just keep quiet about it?
ED
To establish a statute of limitations.
See, in a case like this, you only have a
year from the time you first learn about
the problem to file suit. So PG&E
figures, we'll let the cat out of the bag
-- tell the people the water's not
perfect; if we can ride out the year with
no one suing, we'll be in the clear
forever.
PETE
But they're not like that. I mean,
remember Donna, they sent us bottled
water. We didn't ask for it. They just did
it.
ED
But then they stopped.
Ed looks to Donna. She nods.
ED (CONT'D)
As soon as the statute of limitations
ended, they stopped.
DONNA
But it was more than a year ago that they
told us --
ED
It's okay. We're not suing.
ERIN
Not yet.
ED
(annoyed at that
remark)
All we're doing is using this information
to get you a real nice purchase price on
your house, and get you two --
(to the Browns)
-- a comparable retroactive bonus added
to your sale price. This way, and PG&E can
still look good to their shareholders,
'cause they're not involved in an ugly
lawsuit; all they're doing is buying a
little property.
Roy looks up from his retainer agreement.
ROY
It doesn't say here how much this whole
thing's gonna cost us.
ED
My fee's forty percent of whatever you
get awarded.
Erin watches them look around at each other, stunned by the
figure.
ERIN
Boy, do I know how you feel. First time
I heard that number, I said you got to be
kidding me. Forty goddamn percent?
ED
Erin --
ERIN
I'm the one who's injured, and this joker
who sits at a desk all day is gonna walk
away with almost half my reward?
ED
Erin --
Erin's enjoying Ed's discomfort almost too much to stop. But
just almost. She shifts gears.
ERIN
Then I asked him how much he makes if I
didn't get anything.
They look at Ed. Well?
ED
Then I don't get anything either.
ERIN
And I realized, he's taking a chance too.
When they hear this, and realize he's in it with them, they
all reach for their pens and sign. They hand the agreements
over to Erin, who takes them across the room to Ed. He
stuffs them in his briefcase and closes it up. That's that.
ED
All right, then.
DONNA
I made a bundt cake. I'll put on some
coffee. Who wants coffee and cake?
ED
Thank you, but we have to be getting
back.
Boy. Cold as ice. Erin stares at him, stunned by his
brusque manner, then leans into him, close.
ERIN
(whispering)
Have a fucking cup of coffee, Ed.
She gives him a stern look, then turns toward the women.
ERIN (CONT'D)
Donna, let me help you clean all this up.
She picks up a tray of iced tea and cookies and heads to the
kitchen. Donna and Mandy follow, leaving Ed alone with Pete
and Roy. He stands there, awkwardly.
INT. DONNA'S KITCHEN - DAY
Erin and Donna are putting away the cleaned glasses. Mandy
is scanning the chromium pamphlet Erin gave her.
MANDY
You know that thing it says in here about
rashes?
ERIN
Uh-huh?
MANDY
Well, this old neighbor of mine, Bob
Linwood -- he ran the dairy on Community
-- seemed like someone in his family
always had a rash somewhere or other. I
just figured it was something in the
genes. And you know how it is -- you
don't like to ask about things like
that...
Erin listens, interested.
EXT. LINWOOD DAIRY - BARN - DAY
Another day. BOB LINWOOD, 40's and gruff, is in the barn,
tossing hay around.
ERIN (O.S.)
Excuse me. Are you Mr. Linwood?
He sees Erin picking her way toward him in her high-heels.
LINWOOD
Yeah?
ERIN
I'm Erin Brockovich. I work at the law
firm that represents your former
neighbors the Browns. They suggested I
give you a call.
She steps in a cow patty. Laughs at herself good-naturedly.
ERIN
Boy howdy, did I ever wear the wrong
shoes.
EXT. THE DESOTOS' HOUSE - DAY
CLOSE ON A SIGN that reads: THE DESOTOS, hanging on the side
of a small, paint-chipped house. Erin is at the door talking
to MARY DESOTO, 65, who's wearing a big cross at her breast.
ERIN
...and Mr. Linwood seemed to think that
your husband had been sick as well.
MARY
Yes, Mr. DeSoto has lung cancer. Never
smoked a day in his life, neither.
INT. LAURA AND MIKE AMBROSINO'S HOUSE - NIGHT
Erin is talking to MIKE and LAURA AMBROSINO -- 30's. Solid,
family folks. But Laura's left brow and cheekbone look
swollen and misshapen, and she's trying to hide the fact that
she's in a lot of pain.
ERIN
Mrs. DeSoto said she wasn't sure exactly
what it was that you had --
MIKE AMBROSINO
She's not alone on that one.
LAURA
Well, they know what it is -- it's called
fibrous dysplasia --
MIKE
The bones start growing again. Gives her
headaches like you wouldn't believe.
LAURA
-- they just don't know what caused it.
EXT. PAMELA DUNCAN'S HOUSE - DAY
Erin stands at the front door and rings the bell. After a
moment;
PAMELA DUNCAN opens the door, a cup of coffee in her hand. By
her distant, cautious attitude, we immediately sense a
difference between her and the other Hinkley residents.
ERIN
Hi. My name is Erin Brocko-
PAMELA
I know who you are. Donna called me.
ERIN
Oh... May I come in?
PAMELA
I told Donna we're not interested in
getting involved.
Beat.
ERIN
Can I ask you why?
PAMELA
What's the point?
ERIN
Donna told me you've been sick. Your kids
were sick...
Pamela gets angry at the mention of her kids.
PAMELA
You people don't give a shit, do you?
Anything to get what you want!
Slams the door in her face.
INT. RITA AND TED DANIELS' HOUSE - DAY
Erin is talking to TED AND RITA DANIELS. Their daughter
ANNABELLE, 10, is sitting on the couch, wrapped in a blanket.
ERIN
...then Mike Ambrosino remembered seeing
you folks at the hospital from time to
time too, so I thought I'd just stop by.
(to Annabelle)
You must be Annabelle.
ANNABELLE
Uh-huh.
ERIN
Whew, are you ever a beauty. I mean, you
must drive those boys crazy.
Annabelle smiles a little.
INT. ERIN'S HOUSE - ERIN'S BEDROOM - NIGHT
Late night. George rolls over -- Erin's side of the bed is
empty. He checks the clock, then gets up and heads into:
INT. ERIN'S APARTMENT - HALLWAY - NIGHT
He peers around and spots her, sitting in the little kid's
chair in Matthew and Katie's room.
INT. ERIN'S APARTMENT - MATTHEW AND KATIE'S ROOM - NIGHT
Erin is holding Beth, watching Matt and Katie sleep. The
experience of seeing Annabelle has left her shaky - as if she
was afraid to take her eyes off them for fear something might
happen....She hears the floor creak as George steps into the
doorway.
GEORGE
What are you doing, hon?
Erin looks at him - on the edge of tears.
ERIN
I just wanted to make sure they were all
right.
Sympathetic, George kneels beside her.
GEORGE
They're fine....Come back to bed.
ERIN
I don't know what I think I'm going to do
for these people. No matter what I do, it
won't be enough.
GEORGE
You're doing everything you can. But if
it's gonna eat you up like this, maybe
you better stop.
Erin looks up at him and George knows immediately he has said
the wrong thing. Erin rises and passes by him, to put Beth to
bed. George is tired...and doesn't know how to help her.
EXT. VALLEY SIDEWALK - DAY
Ed and Erin are walking down the street, take-out coffee cups
in their hands. Ed is sipping his, but Erin is in too much
of a lather to drink hers.
ED
Hunh-uh. Absolutely not.
ERIN
That's crazy -- why not?
ED
Because I said no. Look -- the only
reason PG&E's even talking to us is
'cause this is a quiet little real estate
dispute. We add plaintiffs, and suddenly
we're in the middle of a toxic tort --
with a statute problem -- against a
massive utility. No, thank you.
They go into their office building.
INT. ELEVATOR - DAY
Erin and Ed are riding up.
ERIN
Okay, so here's what I'll do. I'll go on
up to Ted and Rita Daniels -- two of the
nicest people you'd ever hope to meet,
who spend every single day watching their
little girl fight like a dog against this
cancer -- I'll tell them we can't help
them cause you don't feel like working
that hard.
ED
(turns on her)
Working hard!!? Why you little...Let me
tell you something - I've worked all my
life. I built a firm and kept it alive
through lawsuits, injunctions, and
evictions. I have survived a quadruple
bypass, cancer, being born with one
kidney and having diabetes...
Erin's genuinely impressed as Erin continues;
ED (CONT'D)
...I have personally managed to save a
few million dollars over more than thirty
years of getting some clients ten times
that. Don't tell me I haven't worked hard
enough! Don't tell me I don't have the
right to stop..to take a fucking breath
and enjoy my life.
Erin is smart enough to know when to listen. So she does. And
she waits...
ED
-- And what the hell do you know about
any of this anyway!? Something like this,
Erin -- it could take forever. They're a
huge corporation. They could bury us in
paperwork for the next fifteen years.
I'm just one guy with a private firm.
She makes her move-
ERIN
-- who happens to know they poisoned
people and lied about it.
The doors open. Ed gets off. Erin follows.
INT. MASRY LAW OFFICE BUILDING - HALLWAY - DAY
Erin's dodging Ed down the hall, to the office.
ERIN
And this shit is bad news. Look, my
dad could build one of these plants
blindfolded. I talked him through the
files. I said how much Chrom 6 in the
groundwater are we talking about over the
years and he said, "Oh, by now, probably
about three football fields long...four
miles deep! Think about it...
ED
(overlap)
Erin-
ERIN
(overlap)
..And not only does this shit attack
every organ of the body, it fucks with
your DNA, too. I mean these people's
genes, and the genes of their kids, and
the genes of their grandkids --
ED
I know how DNA works, Erin --
He gets to the Masry & Vititoe doors. Opens them.
INT. MASRY & VITITOE - DAY
Erin tails Ed back to his office.
ERIN
We can get these people. With a little
effort, I really think we can nail their
asses to the wall.
ED
Oh, you do? With all your legal
expertise, you believe that?
ERIN
Don't you ever just know?
Erin speaks with such calm sincerity, it stops Ed for a
moment. She thinks she's getting to him.
ED
Do you also "just know" where the money's
going to come from? I've already spent
most of my own savings this case.
ERIN
We'll figure it out. Look, I admit I
don't know shit about shit. But I know
the difference --
He moves away and shuts his office door on her.
ERIN (CONT'D)
-- BETWEEN RIGHT AND WRONG!
INT. ED'S OFFICE - DAY
Ed goes over to his desk, sits down. He sees a stack of
messages there, starts flipping through them. Then he stops.
ED
Damn it.
He shoves the messages aside and puts his head in his hands.
He sits like that for a moment.
INT. MASRY & VITITOE - DAY
Erin remains outside of Ed's office door, as Brenda passes by
without stopping or saying hello:
ERIN
Looking good Brenda. Have another bag of
Doritos!
Ed opens the door, surprised to find her still there.
ED
How many families we talking about here?
ERIN
Four more. Eleven people. So far.
ED
You think there's more?
ERIN
Well -- I found one document at the water
board that had a toxic test well reading
from 1967. A hell of a lot of people
have lived on that land since then.
Ed pauses, groans again, realizing what decision he's making.
ED
This is a whole different ball game,
Erin. A much bigger deal.
ERIN
Kinda like David and what's-his-name?
ED
Kinda like David and what's-his-name's
whole fucking family.
(heavy sigh)
Okay, here's the deal -- if, and only if,
you find me the evidence to back all this
up -- I'll do it. I'll take it on.
She smiles victoriously.
ERIN
You're doing the right thing, Mr. Masry.
ED
Yeah, yeah. Remind me of that when I'm
filing for bankruptcy.
ERIN
'Course, gathering evidence -- now,
that's a big job. A hell of a lot bigger
than just filing. I'm gonna be working a
lot harder now, taking on a lot more
responsibility ...
He gives her a look. Knows what's coming.
ED
(overlaps, to
himself)
I don't fucking believe this-
ERIN
(overlapping)
Another raise wouldn't hurt. And with
all the time I'm gonna be spending on the
road, I'll probably be needing my own
cell phone, won't I?
Ed closes the door on her. Erin smiles. As she crosses back
to her desk.
INT. TOYS 'R' US - DAY
Erin enters Toys 'R' Us with George, Matthew, Katie and Beth.
ERIN
You each can pick out four things. But
nothing huge. Look at the price.
Nothing crazy.
Matthew and Katie fan out into the store.
GEORGE
You can buy 'em all the toys you want,
but come Monday, when you split again,
they're still gonna be pissed.
Erin looks over at him, weary.
ERIN
George, I am just trying to do something
nice for my kids on my one day off.
Could you please not give me a hard time
about it?
GEORGE
One toy per kid is doing something nice.
Four is... something else.
ERIN
Well, hell, I guess that's it, then, huh?
They're scarred for life. They're gonna
start holding up 7-Elevens any day now.
GEORGE
I'm just saying --
ERIN
(with intensity)
I know what you're saying, and I don't
wanna hear it. I am doing the best I
can.
And she walks away from him.
EXT. HINKLEY - ROADSIDE DITCH - DAY
Erin is straddling a ditch, scooping clumps of gunky moss
from the ditch into plastic containers.
As Erin labels the containers, she slides down the side of
the ditch, and she lands smack in it, knee-deep in gunk.
EXT. HINKLEY - COMMUNITY BOULEVARD - NIGHT
Erin, now completely dirty, is climbing over a fence marked
"No Trespassing". Her arms are full of more containers.
She adds them to a growing collection of containers in the
trunk of her car.
EXT. HINKLEY - THE POOL BEHIND AN ABANDONED HOUSE - DAY
Another day. This time it's RAINING. Erin minces her way
down to the deep end of the pool.
She gets to the deep end and scoops up a Ziploc full of
rancid pool water and seals it.
Erin spots a few dead frogs in the water. She picks one up
by the leg, and seals it in a plastic bag as well.
EXT. WELL - DAY
With a sample cup held in her teeth, Erin hauls herself up
over the well's concrete wall, then, with her back against
one side of the well and her feet against the other, starts
shimmying down the well.
INSIDE THE WELL
She winces at the algae and gook that's clinging to her as
she descends to the water level. When she's low enough, she
takes the sample cup from her teeth and scoops up the water.
EXT. WELL - DAY
Erin raises herself up to see:
TWO GUARDS heading straight for her.
She scampers to her feet and runs. The Guards pursue - chasing
her off the property....
INT. MASRY & VITITOE - ERIN'S DESK - DAY
Erin's at her desk, bending over her notebook in a miniskirt,
adding reports to the TOXICOLOGY binder.
ON THE REPORTS: We catch a few words: "water sample A...",
"soil sample D...", "frog sample A...", "...traces of
hexavalent..."
Brenda looks at Erin and sees her hem rising in the back.
BRENDA
For God's sake, Erin, I can see your
panties.
Erin turns to Brenda, relishing the chance to irritate her.
ERIN
Liar. I'm not wearing any.
Ed, in his office, laughs. He's starting to like this gal.
INT. ERIN'S HOUSE - NIGHT
It's a hot night. George is playing on the floor with the
kids. Erin is behind them on the couch, laboriously reading
a book labeled, simply, CHROMIUM. The phone RINGS. Erin
picks it up.
ERIN
Hello?
MALE VOICE (O.S.)
Is this the Erin Pattee Brockovich that's
been snooping around the water board?
His voice is flat, creepy. Not friendly.
ERIN
Yes. Who's this?
MALE VOICE
You should watch your step. A young lady
like yourself with three young children.
ERIN
(overlapping)
Who is this?
MALE VOICE
Do you understand what I'm saying?
CLICK. Erin stares at the phone, freaked.
INT. ERIN'S HOUSE - FRONT DOOR - NIGHT
George watches Erin double-checking the locks on the door.
ERIN
I'm not gonna quit 'cause of one creepy
phone call, George.
GEORGE
Come on, Erin. A job's supposed to pay
your bills, not put you in danger.
ERIN
I'm not in danger. I mean, the phones
might be tapped -
GEORGE
(overlaps)
What?
ERIN
(overlaps)
...but that's usual. And we have a dead
bolt. It's not a big deal.
She goes to the living room, double-checks the window locks
in there. George follows.
GEORGE
Look, don't you think you might be out of
your league here?
ERIN
No, see -- that's exactly what those
arrogant PG&E fucks want me to think --
But you know what? They're wrong.
She heads into the bedrooms.
GEORGE
It doesn't have to be this complicated,
Erin. There's a lot of jobs out there.
ERIN
(off-hand)
How would you know?
George reacts, a little stung. He follows her into:
INT. MATT AND KATIE'S BEDROOM - NIGHT
Matt and Katie are asleep. Erin is checking their windows.
George comes in. They whisper.
GEORGE
You mind telling me what that's supposed
to mean?
ERIN
Nothing. I'm sorry.
GEORGE
If you got a problem with me taking care
of your kids instead of getting some job,
just say so.
ERIN
I didn't say that.
GEORGE
'Cause I can get a job. I will. And you
can start leaving the kids with the
chicken fat lady again. Would that make
you happy?
ERIN
Keep your voice down. I said I'm sorry.
GEORGE
I know what they can sleep through, Erin.
I probably know it better than you.
She gives him a glare, then leaves the room.
INT. WATER BOARD - DAY
Erin is reaching up to a high shelf for a dusty old box of
files. Out of the corner of her eye, she sees Ross passing.
ERIN
Hey, Ross. Tell me something. Does PG&E
pay you to cover their ass, or do you
just do it out of the kindness of your
heart?
ROSS
I don't know what you're talking about.
ERIN
The fuck you don't. No one calls me
Pattee. That heavy-breathing sicko that
called the other night could've only
found out about me from you.
(beat)
People are dying, Ross. You've got
document after document here, right under
your nose, that says why, and you haven't
said word one about it. I wanna know how
the hell you sleep at night.
Ross is speechless. He just stands there. Erin drags the
box to the floor and goes to work.
INT. ERIN'S HYUNDAI - NIGHT
A pile of documents is strapped into the passenger seat. An
empty coffee cup rolls around the floor. Erin's driving,
exhausted. She yawns as she dials her phone.
GEORGE (O.S.)
Hello?
INTERCUT between Erin in her car, and George in bed.
ERIN
I'm so tired I'm about to drive off the
road. Keep me awake, willya?
GEORGE
What do you want, a joke?
ERIN
No... Just tell me about your day. What
went on back there?
GEORGE
Well, come to think of it, we did have a
big event around here. Beth started
talking.
ERIN
What?
(beat)
Beth? My Beth?
GEORGE
Yeah. We were sitting around at lunch
and she pointed at a ball and said,
"ball."
Erin says nothing, just stares out at the empty highway,
feeling all hollowed-out.
GEORGE (CONT'D)
I'd never seen that before -- someone's
first word. Pretty intense.
Erin just nods. Keeps staring straight ahead as a tear rolls
down her cheek.
INT. MASRY & VITITOE - ERIN AND BRENDA'S AREA - DAY
CLOSE ON SOME FILES as Erin hands them to Ed. As he takes
them from her, he notices a crematory urn on Erin's desk.
ED
Is that what I think it is?
ERIN
She lived on the plume. You never
know.
Ed laughs and hands the documents to Brenda without looking
at her. She grumpily takes them over to the fax machine.
CLOSE ON THE FAX LED as Brenda types in the number. The
recipient's name comes up again: PG&E CLAIMS DEPT.
EXT. HINKLEY BARBECUE - DAY
Open pits, pony rides, watermelon. George is watching Katie
and Matt being led around on ponies, an activity that stopped
being fun hours ago. Now they're just hot and tired.
BY THE BARBECUE, Ed is talking to an OLDER COUPLE as they
sign retainer agreements.
ELSEWHERE, Erin, holding Beth, is looking at pictures of a
swimming pool with FIVE OTHER WOMEN. The water is green.
ERIN
This was the community pool?
WOMAN 1
Yeah, that PG&E built. The whole time,
we thought it was algae that made it so
green.
LATER...
Erin's trunk is open. She and Ed are clipping new clusters
of retainer agreements into the "PLAINTIFFS" binder.
Erin looks over to see Pamela Duncan and her husband,
standing by their car, separated from the rest...not getting
involved. Erin watches them get in their car and leave.
LATER STILL...
Erin and Ed are passing out informational pamphlets.
A MAN (we later come to know as CHARLES EMBRY) takes a
pamphlet and flirtatiously says;
CHARLES
This got your phone number on it?
Erin blows him off with a laugh, barely registering his face.
She sticks one in another hand before noticing that it's
George's.
GEORGE
I'm bored, and so are the kids.
ERIN
Just a few more minutes, then we can go.
(as he heads
off)
Take her, will you?
George drops the pamphlet and takes Beth from Erin. He heads
over to Matt and Katie, sitting glumly on a log.
LATER STILL...
Erin is heading over to George and the kids, ready to leave,
when Donna comes up to her, with A MIDDLE-AGED MAN in tow.
DONNA
Erin, this here's Frank Melendez. He
works over at the compressor station --
Erin stops in her tracks, very interested. But she can see,
out of the corner of her eye, that George and the kids are
getting impatient with her. She excuses herself for a moment
and runs over to them.
ERIN
Look, take the kids home and I'll catch a
ride with Ed.
MATTHEW
No ma!
ERIN
No, no, no..mommy has to stay. Be good.
She gives each child a quick peck on the cheek, including
George. She runs back to Donna and the Middle Aged Man.
George is fuming. The kids are clearly disappointed.
GEORGE
Come on kids..let's go get some ice-
cream.
In the stroller, Beth starts to whine. George reaches in his
pocket, finds her pacifier. As he's leaning down to give it
to her, he hears a RUMBLE coming down the street beyond the
barbecue area. The roar grows. He stands, looks.
A GROUP OF ABOUT TEN BIKERS ride by like thunder. He looks at
them, then at the stroller. George suddenly feels
ridiculous...and then guilty for feeling that way about the
kids..
Especially when Matthew reaches for his hand, squeezes it and
says, as if worried George will leave too:
MATTHEW
Come on, George.
The bikers REV LOUDLY as they ride by...then, fade away.
George just stands there and watches them go.
LATER STILL...
Erin and Frank are on a bench, talking. Out of the corner of
her eye, she sees her car drive off. George's hand sticks
out the driver's side and flips her the bird. She watches
him disappear, then, hiding her rage, turns back to Frank.
ERIN
I'm sorry. What were you saying?
INT. ED'S CAR - DAY
Ed is driving. He glances over at Erin, fuming in the
passenger seat. After a beat:
ED
You wanna talk about --
ERIN
No.
Another beat. Then Erin's cell phone rings. She digs into
her bag, pulling it out as fast as she can. Answers.
ERIN
Yeah?
There's a pause. Then Mike Ambrosino's voice comes over the
line, very strained:
MIKE AMBROSINO (O.S.)
Um, Erin? This is Mike. Ambrosino.
EXT. AMBROSINOS' HOUSE - FOYER - DAY
The curtains are drawn; everything is dark. Ed and Erin are
at the door, talking to Mike, who looks drawn and tired.
MIKE
She was about to take a handful of these --
He shows them a bottle of prescription pills.
MIKE
It's a morphine thing -- for pain --
Erin nods, then leaves Ed with Mike and heads toward:
INT. AMBROSINOS' HOUSE - BEDROOM - DAY
Erin opens the door. Very dark, very quiet. Laura is lying
in bed. Erin goes over to her. They speak in whispers.
LAURA
I'm embarrassed.
ERIN
That's okay. I understand.
LAURA
It's just -- the pain. It's only getting
worse. I can't be a good wife. I can't
be a good mother.
ERIN
I'm real sorry, Laura.
Erin sits down on the chair next to the bed. Takes a beat.
LAURA
Know what I always thought I wanted outta
life, Erin? A Jaguar.
ERIN
Jaguar's a darn pretty car.
LAURA
I thought if I could spend that kinda
money on a car, it'd mean everything else
was fine.
(beat)
I don't even know how much they cost.
ERIN
A lot. But you hang in there, maybe
you'll get one.
Laura shakes her head.
LAURA
Wouldn't mean the same thing.
Erin watches her sadly.
INT. ED'S CAR - NIGHT
Ed is driving. Erin is asleep in the front seat. Ed casually
glances over to her and notices her nose is bleeding.
ED
Erin...Erin!
She wakes up.
ED (CONT'D)
You have a nosebleed.
Erin checks the mirror. Not making the connection, she reacts
very casually.
ERIN
Shit. You have a tissue.
He motions to the glove compartment. She gets one.
INT. PG&E COMPRESSOR STATION - DAY
A LOUD, industrial plant. Erin and Frank Melendez walk
through, him in coveralls, her in a teensy sun dress. Both
in hard-hats. He's giving her a tour.
INT. MASRY & VITITOE - NIGHT
His office is all about Hinkley. A map of the plume area and
a diagram of the plant cover one wall; photos of the plant
cover the credenza; piles of documents litter every surface.
Erin is up at the map, eating Chinese food.
ERIN
They used the hex chrom here, in these
cooling tanks, as an anti-corrosive.
Then they dumped the excess water here,
in these six ponds.
ED
I don't remember seeing any ponds up
there.
She bites into a forkful of food, keeps talking.
ERIN
They covered 'em over. And not too
carefully either, 'cause you dig one inch
under the surface, and the dirt is green
as a fucking shamrock.
ED
And that's what caused the contamination?
ERIN
It didn't help, but no. The real
problem's on the bottom.
She reaches for a document, reads from it.
ERIN
See, according to this, they were
supposed to line the ponds so this shit
couldn't seep into the ground. But guess
what --
ED
They skipped that step.
ERIN
So for fourteen years, this stuff flowed
into the groundwater.
ED
Jesus...And this guy just offered all
this information?
ERIN
Frank cares what was in those ponds
'cause he used to spend half his day
wading around them. That was his job.
ED
No shit.
(then)
You've done great work, Erin.
Erin is taken by surprise by the compliment.
ED (CONT'D)
Great work. I don't think three
researchers could have done what you've
done.
Erin is at a loss. She responds with a joke.
ERIN
Well..stick with me...I'll have you
swimming in Armani.
Ed smiles but not enough. Erin notices.
ERIN (CONT'D)
What's the matter?
Ed looks at her with an uncharacteristic vulnerability.
ED
I don't know if we can pull this off.
Erin knows how difficult that was for him to say...and she's
touched he felt he could say it to her.
ED (CONT'D)
This is a monster case. I have devoted
all our time and manpower to it and money
going's out and nothing's coming in. I'm
going to have take a second mortgage on
the house.
ERIN
Will that be so bad?
ED
No. If you explain to my wife while I
leave the country.
(beat)
Look, I have to tell you, I've been
making inquiries with other firms. Bigger
firms to share some of the cost. They all
said no. They say we don't have it.
ERIN
Bullshit! We've got those P & G fuckers
by the balls here.
ED
We've got the PG&E fuckers in Hinkley by
the balls. But nobody's getting rich
unless we can pin this on the corporate
PG&E fuckers in San Francisco.
ERIN
What do you mean?
ED
PG&E corporate is claiming they had no
way of knowing what was going on in
Hinkley.
ERIN
Oh, they knew. They had to know.
ED
Show me the document that proves it.
She doesn't have one.
ED (CONT'D)
Then they didn't know. And if they
didn't know, we can't hit 'em for
punitive damages. And with punitive
damages, we're talking about the kind of
money that could actually have an effect
on these people's lives...
ERIN
(frustrated)
Jesus Christ...
She shoves her food away, knocking it over. Beat.
ERIN (CONT'D)
So what do we do?
ED
We could smoke 'em out. If they offer a
settlement. If they just throw more paper
at us.
He sits and faces her, outlining what is to come;
ED (CONT'D)
We file a complaint. We take our four
hundred or so plaintiffs and everything
you dug up and we file a cause of action
and present it to a judge.
ERIN
Then what?
ED
Then PG&E will submit a demur - a list
of reasons attacking each complaint,
claiming there is no cause of action for
a lawsuit. And then it goes before a
judge.
ERIN
So then it's all up to what this one
judge decides?
ED
Basically, yeah.
They look at each other: Let's hope we get lucky.
EXT. PG&E STATION - NIGHT
Late, late at night. The plant is silent. The property
seems empty, until we notice Pete Irving standing alone
inside the gates, staring up at the station.
After a beat, he picks up a rock and hurls it at the plant.
It misses. Not that it would do anything if it hit. He
reaches for another, throws it. Then another, and another.
He hurls rock after rock at the gigantic plant. Then,
overwhelmed by his impotence, he lets out a TERRIFYING YELL.
INT. IRVINGS' HOUSE - DONNA'S BEDROOM - DAY
Donna's sitting quietly in bed. Erin is sitting on the edge
of the bed.
DONNA
I'd got so used to having 'em come up
benign, I guess I just didn't expect it.
She looks down her shirt front.
DONNA (CONT'D)
Sure wish I had longer to get used to the
idea.
(beat)
You think if you got no uterus, and no
breasts, you're still technically a
woman?
ERIN
Sure you are. You're just a happier
woman, 'cause you don't have to deal with
maxi-pads and underwire.
Donna smiles a little. Then her face crumbles.
DONNA
We're gonna get them, aren't we, Erin?
You gotta promise me we're gonna get
them.
INT. BARSTOW COURTROOM - DAY
Erin is sitting beside Ed on one side of the courtroom.
The PG&E representatives are sitting on the other side. These
are the best lawyers money can buy, and their demeanor says
that winning isn't a goal, it's a forgone conclusion. You'd
much rather have them working for you than against you.
JUDGE SIMMONS is at the bench, reviewing one last time, his
decision and the documents. Finally, he looks up;
JUDGE SIMMONS
All right.
Everyone pays attention.
JUDGE SIMMONS (CONT'D)
I have before me a cause of action on
behalf of the residents of Hinkley
California who wish to file a lawsuit
against Pacific Gas and Electric for
damages, medical expenses, personal
trauma due to the contamination of the
groundwater in their area by said
defendant. And I have here, a list of 84
demurs, submitted by the representatives
of Pacific Gas and Electric, each one
attacking and thereby rejecting the
validity of these complaints. I have
reviewed all the information carefully. I
am ready to give my decision. Before I
do, is there anything anyone wants to
say?
Ed grabs Erin's hand under the table, preventing her from
making a move. Erin submits.
ED
No, your honor.
PG&E LAWYER
No, your honor.
JUDGE SIMMONS
Very well...In the case of the claimants
of Hinkley California vs. Pacific Gas and
Electric, it is the judgement of this
court that each of the 84 demurs
submitted by Pacific Gas and Electric be
dismissed and the cause of action against
Pacific Gas and Electric be upheld...
Erin can hardly maintain her excitement. Ed squeezes her hand
harder. The PG&E people look sick.
JUDGE SIMMONS (CONT'D)
...On a more personal note, as a resident
here in Barstow, which is not far from
Hinkley, I am...appalled that, not only
was Hexavalent Chromium used, but your
clients actually sent these residents
pamphlets telling them it was good for
them.
PG&E remain silent. The Judge stares at them, ending simply;
JUDGE SIMMONS (CONT'D)
Tell your clients they're going to trial.
Erin whispers to Ed;
ERIN
Think we'll hear from them now?
ED
Oh, I believe so..
The PG&E reps slam the briefcases shut and exit.
INT. MASRY & VITITOE - RECEPTION AREA - DAY
Talk about moving up the food chain. MS. SANCHEZ, MR.
WEBSTER, MR. BUDA, and MR. COOPER mill slowly about the
reception area like sharks. They all ooze importance.
INT. MASRY & VITITOE - OUTSIDE OF ED'S OFFICE - DAY
Erin, Ed and Brenda are staring out at them.
ERIN
Jesus. They look like the Secret
Service.
ED
Intimidation. Let the games begin.
(then, to
Brenda)
Tell them to wait in the conference room.
INT. MASRY & VITITOE - CONFERENCE ROOM - DAY
Sanchez, Webster, Buda, and Cooper are seated.
The door opens and Ed enters, legal pad under his arm.
Followed by Erin, legal pad under her arm. Followed by Anna
(looking professional in Brenda's suit coat), legal pad under
her arm. Followed by Donald (in a suit produced from who
knows where), legal pad under his arm. If you didn't know
better, you'd assume it was a team of lawyers as well.
ED
Counselors --
MR. SANCHEZ
Counselors.
Ed and Erin sit down and get to work. Mario and Anna,
clearly told to just follow along, sit down a moment later.
INT. MASRY & VITITOE - CONFERENCE ROOM - LATER
Mario and Anna are sitting mutely in their seats beside Ed
and Erin, firing blank looks across the table.
SANCHEZ
...Let's be honest here. Twenty million
dollars is more money than these people
have ever dreamed of.
Erin has no patience for this today.
ERIN
Oh, see, now that pisses me off. First
of all -- since the demur, we now have
more than four hundred plaintiffs...and
(mocking her)
"let's be honest", we all know there's
more out there. Now, they may not be the
most sophisticated people, but they do
know how to divide, and twenty million
dollars isn't shit when it's split
between them.
Donald and Anna exchange a look. This is getting
interesting.
ED
Erin --
But there's no stopping her.
ERIN
And second of all -- these people don't
dream about being rich. They dream about
being able to watch their kids swim in a
pool without worrying they'll have to
have a hysterectomy at age 20, like Rosa
Diaz -- a client of ours -- or have their
spine deteriorate like Stan Bloom.
Another client of ours.
Ed sits now with a light smile, content to let Erin
continue.
ERIN (CONT'D)
So before you come back here with another
lame-ass offer, I want you to think real
hard about what your spine is worth, Mr.
Buda -- or what you'd expect someone to
pay you for your uterus, Miss Sanchez --
then you take out your calculator and
multiply that number by a hundred.
Anything less than that is a waste of our
time.
Sanchez, throughout her speech, has been reacting in a
patronizing manner - as if Erin's words were of no import. By
the end of Erin's speech, Sanchez has picked up a glass of
water in front of her and is about to drink, when Erin says:
SANCHEZ
I think this meeting is over.
ERIN
Damn right it is.
Erin gets up and storms out first. We see on Anna's face, the
first signs of respect for Erin.
EXT. ERIN'S HOUSE - FRONT STOOP - NIGHT
George is sitting alone on the stoop, drinking a beer. Music
is coming from his house next door. He stares out into the
street with a lot on his mind.
He sees Erin's car driving down the street, on her way home.
He rises and enters the house.
INT. ERIN'S HOUSE - ERIN'S BEDROOM - NIGHT
George is sitting on the bed when Erin enters.
ERIN
Jesus, George, the kitchen's a hellhole.
What, did you let the kids make dinner
themselves?
He doesn't answer. Doesn't move. She notices this.
ERIN
What's going on? What are you doing?
GEORGE
Thinking.
ERIN
About what?
He's very calm. He holds out a small jewelry box.
GEORGE
About this.
ERIN
What's that?
GEORGE
It's a pair of earrings. I saw 'em in
the mall one day, and I thought damn,
those would look good on those beautiful
ears. So I bought 'em. And I said to
myself, next time Erin says something
nice, does something nice, I'll surprise
her with 'em.
(beat)
Know how long ago that was? Six months.
ERIN
I'm sorry. I'm just working so hard --
GEORGE
(stands)
And what I'm thinking is, you oughta
either find a different job or a
different boyfriend. 'Cause there may be
men who don't mind being the maid and
getting nothing in return, but I'm sure
as shit ain't one of 'em.
ERIN
I can't leave my job, George.
GEORGE
Yeah, you can. You could just quit.
People do it all the time.
ERIN
How can you ask me to do that? This job --
For the first time in my life, I got
people respecting me. Up in Hinkley, I
walk into a room and everyone shuts up
just to hear what I got to say. I never
had that. Ever. Don't ask me to give it
up.
GEORGE
And what about what your kids are giving
up?
ERIN
Look, I'm doing a lot better for those
kids than I did living with my
parents. One day they'll understand that
GEORGE
And what about me?
ERIN
What about you? You think either one of
the men who gave me those children asked
what I wanted before they walked away?!
All I've ever done is bend my life around
what men decide they need! Well not now.
I'm sorry. I won't do it.
GEORGE
I'm not them. What more do I have to do
to prove that?
For a moment, Erin is stymied...then, softly;
ERIN
Stay.
He lowers his head, then stands, to leave. He too speaks
gently;
GEORGE
What for? You got a raise. You can afford
day care......You don't need me.
Erin feels caught between two truths - what she feels for
George..and what she feels for her new life.
George walks to her, kisses her on the cheek and holds her
hands...Then exits..
Erin looks in her hands - where George has placed the velvet
jewelry box of earrings...
INT. ERIN'S BEDROOM - NIGHT
Erin is at her window, looking out at the street below.
George is carrying a duffel bag of his things to his house
next door. She watches as he opens his front door, enters and
closes it behind him.
INT. HYUNDAI - DAY
Erin is driving, looking weary. Her kids are in the car, no
one is speaking. An angry Matthew sits sullenly looking out
the window. Beth is asleep. Matthew suddenly shuts off the
radio.
Erin drives, bothered by his actions but consumed with her
own thoughts...The family feels divided..each own their own
world.
EXT. PAMELA DUNCAN'S HOUSE - DAY
Pamela, smoking a cigarette, opens the front door to find
Erin there, with her kids, holding a box of cake. Pamela
raises her eyebrow.
INT. PAMELA DUNCAN'S HOUSE - DAY
The kids are seen through the window, playing outside -
Matthew, reluctantly.
Pamela and Erin are finishing coffee, cake, stories..
ERIN
...oh, he was a piece of work...
PAMELA
Him too?
ERIN
I don't know, there's something about
losers with great asses..I don't know-
(Pamela laughs)
I had to have him thrown in jail six
times for no child support. When he had
the kids, he used to tell them to call me
Erin Brockoshit..
PAMELA
(Pamela laughs)
You sure can pick'em. I've been lucky in
that area, at least. Ken is..he's good
man.
ERIN
(smiles, sips
coffee)
Well, that's half the battle, right
there.
PAMELA
Yeah. Yeah, it is...
(beat)
I...I know what you want and I appreciate
your-
ERIN
We can get them, Pamela. We can.
PAMELA
I wish I believed that. But this has been
going on for so long. Maybe in the
beginning, when I was angry. When I first
found out. But then, ya know, ya have
find a way to live everyday, to get up,
to take care of what you have to take
care of so you...you find a way to push
it down, make it go away, ya know. I
don't want to feel it all over again and
then...not have it come out right. I
don't know if I could handle that. Put my
kids through that.
ERIN
You're still angry, Pamela.
(Pamela listens)
And you don't think your kids know that.
They know more than you think, believe
me. See, the thing is... it doesn't
matter if you win lose or draw here. You
were lied to. You're sick, your kids are
sick because of those lies. If for no
other reason, you all have to come
together to stand up in a courtroom and
say that - to be heard - and you will. To
stand up and say, this wasn't right.
There's no way anybody can twist this
into something right. And it can't happen
again.
Pamela listens but Erin doesn't know whether she's getting
through to her. Pamela exits, saying;
PAMELA
I'll get some more coffee.
Erin sinks. She thinks she's not getting through. When Pamela
re-enters, she's carrying a coffee pot and A TAPE. Erin is
confused. Pamela puts the pot down and crosses to the
television. She pops in the tape and turns it on.
ON THE MONITOR, is a home video of a house being burned.
PAMELA (CONT'D)
That was the Torriyo's house. It was
across the street.
ERIN
It burned?
PAMELA
They burned it.
ERIN
Who?
PAMELA
The Fire Department. They said it was a
practise run. They said the Torriyo's had
sold to PG&E and since it vacant they
were told they could burn it.
ERIN
Who had told them that?
PAMELA
They never said.
Erin watches the tape, then looks to Pamela, watching the
tape as she must have a hundred times before.
PAMELA (CONT'D)
I'd bring the kids into the hospital with
towels soaked from their nosebleeds. Ya
know the hospital did? They called county
services because they assumed the kids
were being abused.
Erin has her.
EXT. MASRY & VITITOE PARKING LOT - DAY
The Hyundai pulls into the lot. We hear voices from within
the car, arguing;
INT. HYUNDAI - DAY
Erin is with her kids. She and Matthew are fighting;
MATTHEW ERIN
...why everything has to be ..all I'm saying is, we'll
such a big deal. All I want see. I can't talk about this
to do is play roller hockey. now. I don't care what other
Other moms give permission. moms do-
MATTHEW
(annoyed)
..So when!? When can I get a friggin
answer!?
ERIN
Don't talk to me like that!
MATTHEW
Randy's mom said yes right away!!
ERIN
(snapping)
Well, goddamn it, Matthew -- Randy's mom
doesn't work and Randy's dad didn't leave
her, so figuring out who's gonna drive
who to roller hockey every other week is
a little easier over at Randy's house.
Now get out of the car!
She exits, then gets the baby.
INT. MASRY & VITITOE - WAITING ROOM - DAY
Erin carries Beth, followed by Matthew and Katie. She sits
the two older children down.
ERIN
Wait here. Watch your sisters.
Matthew ignores her..
ERIN (CONT'D)
Matthew..
MATTHEW
(snaps at her)
ALRIGHT! FINE!
The receptionist looks up. Erin decides not to respond. She
enters the main room.
INT. MASRY & VITITOE - MAIN ROOM - DAY
Business as usual. Erin comes in, goes straight to her desk.
INT. MASRY & VITITOE - ERIN'S DESK - DAY
Erin flips through her "in" box, looking for something in
particular. Doesn't find it. Grrr. She heads off to:
INT. MASRY & VITITOE - JANE'S OFFICE - DAY
Jane is at her desk when Erin comes in.
ERIN
Where's my paycheck?
JANE
Have you been logging on?
ERIN
What?
JANE
I moved payroll onto the computer. It
only knows to process paychecks for
employees who log on in the morning and
off at night.
ERIN
(seething)
Now how'm I supposed to do that when I'm
not in here most mornings and nights? O
still haven't found a new baby-sitter-
JANE
You're clever. I'm sure you'll think of
something.
Erin glares at her...She leans in, but speaks so other can
hear
ERIN
Ya know..Jane...My grandmother used to
have a saying about people who were
beautiful and people who were ugly. And
it had nothing to do with how they
looked. She used to say "People get the
faces they deserve!"
She then turns and storms out of Jane's office.
As she passes by the CONFERENCE ROOM, she sees;
Ed shaking hands and taking a check from a snazzy lawyer
type. Suspicious, she enters;
INT. CONFERENCE ROOM - DAY
Ed sees Erin and makes introductions;
ED
Erin! I was just talking about you. I
want you to meet our new partner. Kurt
Potter. He'll be handling Hinkley now.
ERIN
What?
POTTER
(to Ed)
Now I know what you meant by a secret
weapon.
(to Erin)
Nice to meet you. Great work.
(to Ed)
See you tomorrow.
He blows out of the room. Erin glares at Ed.
ED
What?
ERIN
Our new partner? You fuck! When was I
gonna find out - in the monthly
newsletter?
ED
Hey..just listen. Did I ever tell you
about the airline case I had?
ERIN
Airline case!? What the fuck are you
talking about?
ED
(patient)
A few years back I was trying this
airline case and I got my ass kicked by
this guy - he just smothered me in paper.
Brutal. This guy was the toughest
motherfucker I'd ever been up against.
And it was Kurt Potter. When we got the
PG&E decision from the judge, I called
him and asked him to partner. He didn't
hesitate.
ERIN
Well of course NOW he wouldn't hesitate.
We did all the fucking work. Where was he
before?
ED
Doesn't matter..Erin, listen to me - it
doesn't matter. You want to win this?
(hands her the
check.)
He just gave me that. It covers all our
expenses to date. The whole thing. He's
got more toxic tort experience than
anyone in the state. This is good news.
Erin rises, still not happy about it - feeling like she's
being pushed out. She drops the check on the table and exits,
stopping by the door to say, as if without any importance;
ERIN
By the way...I got Pamela Duncan.
She exits before Ed can say "Great - good work!"..
INT. ERIN'S HOUSE - KITCHEN - NIGHT
Erin is standing at the sink, visibly exhausted, trying to do
the dinner dishes with one arm and comfort Beth, who's
CRYING, with the other. Matthew comes in and runs into his
room, slamming the door.
Erin hears a motorcycle revving up. She walks to the front
door and looks out to see:
GEORGE riding away. At the same time, A MESSENGER is walking
up her front walk. Erin opens the door as he approaches;
MESSENGER
Erin Brockovich?
ERIN
Yeah?
MESSENGER
Package from Masry & Vititoe.
He hands her a manila envelope. She signs for the package,
then tears into it as the Messenger heads away.
A CHECK and a SET OF KEYS fall out. She looks at the check.
It's made out for $5,000. A note attached reads "HIRE A
NANNY. LOOK OUTSIDE. AND CHEER THE FUCK UP!- ED."
Erin looks up and sees A BRAND NEW CHEVY BLAZER parked on the
curb. She looks at the keys in her hand. Chevy keys.
INT. ERIN'S NEW CAR - DAY
It's raining. They're driving through the tall buildings of
Century City. Ed is full of nervous excitement.
ED
(points to a
building)
That's it. The big one. They've got the
top three floors.
INT. POTTER, HUGHES & ROSEWOOD - RECEPTION - DAY
It feels more like the lobby of a five-star hotel than an
office. Erin and Ed step off the elevator. Erin gawks.
ERIN
Holy shit. Who do they represent, God?
ED
It's probably their only pro-bono client.
Look, do me a favor Erin...behave
yourself. All right?
Erin shrugs "sure". Ed crosses to the receptionist.
ERIN
Ed Masry to see Kurt Potter.
Erin's miffed Ed didn't announce her as well..so, as Ed turns
to check his reflection, a YOUNG LAWYER comes through the
reception area. Erin watches him pass, then, calls out to
him.
ERIN
'Scuse me, sir, you got a real nice ass,
you know that?
The lawyer double-takes on her, then retreats into the
office. Erin turns to Ed, smiles.
ERIN (CONT'D)
Oh, I'm sorry. Was that not what you
meant by behaving myself?
INT. POTTER, HUGHES & ROSEWOOD - RECEPTION - DAY
THERESA DELLAVALLE, 38, junior partner, comes out to greet
them. She's everything Erin isn't: conservative, restrained,
unemotional. And about as sexy as a station wagon.
THERESA
Ed. Good to see you again.
ED
Theresa, hey -- this is Erin Brockovich.
INT. POTTER, HUGHES & ROSEWOOD - HALLWAY - DAY
Theresa leads Ed and Erin down a long hall of teak desks.
The sound of their footfalls is swallowed up by the plush
carpeting. Occasional ATTORNEYS and PARALEGALS glance at
Erin. She feels their stares.
INT. POTTER, HUGHES & ROSEWOOD - CONFERENCE ROOM - DAY
Potter, Ed, Erin, Theresa and a few PARALEGALS are sitting
around the table. As the conversation ping-pongs between Ed
and Potter, Potter completely ignores Erin.
POTTER
...PG&E have requested we go to binding
arbitration...
ERIN
What's that?
Everyone is surprised by her honest lack of knowledge. She
doesn't give a shit.
POTTER
PG&E have proposed that they are liable
from anywhere between fifty million and
four hundred million...Now, to determine
exactly what amount they will give, we
go before a judge...not a jury. They call
it a test trial. You have..how many
plaintiffs now?
ED
634.
POTTER
Well, they won't try that many at once so
we get them in groups of twenty to
thirty, the worst cases - the ones who
are clearly the sickest, most life
threatened - in the first group and so
on..and each gets go before the judge to
determine damages. If we went to trial,
PG&E could stretch this over ten years,
with appeal aft-...
ERIN
So it's not like a real trial?
ED
Yes, it is..It's-
ERIN
But these people are expecting a trial.
That's what we told them. They won't
understand this.
POTTER
I promise you, we'll be very sensitive in
proposing this. We'll make sure they
understand it's the only way to go
forward now. But we have a lot of work to
do before we even broach the subject.
Theresa sees impatience brewing, tries to intercede.
THERESA
You know what? Why don't I take Erin down
the hall, so we can start on this stuff
and I'll fill her in on the rest..
ERIN
Hey -- those are my files --
THERESA
Yeah, we had them couriered over. And
listen, good work. They're a great
start. We're just going to have to spend
a little time filling in the holes in
your research.
Okay, these people are starting to piss her off.
ERIN
Excuse me - Theresa, was it? There are
no holes in my research.
THERESA
No offense. There are just some things
we need that you probably didn't know to
ask.
ERIN
Don't talk to me like I'm an idiot, okay?
I may not have a law degree, but I've
spent 18 months on this case, and I know
more about those plaintiffs than you ever
will.
THERESA
Erin. You don't even have phone numbers
for some of them.
ERIN
Whose number do you need?
THERESA
Everyone's. This is a lawsuit. We need
to be able to contact the plaintiffs.
ERIN
I said, whose number do you need?
THERESA
You don't know six hundreds plaintiffs'
numbers by heart.
Erin just stares at her. Theresa sighs, reluctantly glances
down at a file.
THERESA
Annabelle Daniels.
ERIN
Annabelle Daniels. 714-454-9346.
As Theresa starts to write it down?
ERIN
10 years old, 11 in May. Lived on the
plume since birth. Wanted to be a
synchronized swimmer, so she spent every
minute she could in the PG&E pool. She
had a tumor in her brain stem detected
last November, had an operation on
Thanksgiving, shrunk it with radiation
after that. Her parents are Rita and
Ted. Ted's got Chron's disease, and Rita
has chronic headaches and nausea and
underwent a hysterectomy last fall. Ted
grew up in Hinkley. His brother Robbie
and his wife May and their five kids,
Robbie, Jr., Martha, Ed, Rose, and Peter
lived on the plume too. Their number's
454-9445. You want their diseases?
Beat. Erin glares at Theresa, indignant.
THERESA
Okay, look -- I think we got off on the
wrong foot here --
ERIN
That's all you got, lady. Two wrong
feet. In fucking ugly shoes.
INT. PARKING LOT - NIGHT
It's still raining. Erin is following Ed to the car. He's
furious.
ERIN
She insulted me!
ED
Bullshit. It was a misunderstanding.
But instead of handling it politely,
instead of treating her with respect --
ERIN
Why the fuck should I respect her?
Ed stops in his tracks, furious. He glares at her.
ED
Look! Just because she's not supporting
three kids with no husband and no
education, doesn't make her an idiot!
Just because she dresses like a lawyer,
doesn't mean she didn't work her ass off
in law school and shit positions to earn
her way.
ERIN
Well excuse me for not going to law
school.
ED
Law school! At this point, I'd settle for
fucking charm school!
On that, he gets in his car, slams the door, and drives off,
leaving her standing alone in the pouring rain.
ERIN
HEY! You're my ride!!
EXT. LINWOOD'S DAIRY - DAY
Bob Linwood is in his barn, mucking it out. Theresa is at
the edge of the property, trying unsuccessfully to get his
attention by yelling and waving her arms. In her expensive
shoes, she's stopped short of the cow patty minefield.
INT. POTTER, HUGHES & ROSEWOOD - CONFERENCE ROOM - DAY
CLOSE ON A CLIENT FILE as a hand fills in a phone number.
WIDEN TO SEE Erin seated with a PARALEGAL, rattling off facts
and numbers from memory. She's seized by a COUGHING FIT.
EXT. LINWOOD DAIRY - DAY
Theresa still hasn't gotten Linwood's attention. Finally,
rather than ruin her shoes, she picks up a stone and tosses
it at the barn. It hits the window and BREAKS IT.
INT. MASRY & VITITOE - ERIN AND BRENDA'S DESKS - DAY
Erin's desk is empty: no Erin, no files, nothing. Ed comes
out of his office and hands Brenda a STACK OF DOCUMENTS.
CLOSE ON THE FAX LED
Brenda types in the number. The recipient's I.D. comes up
again, only this time it says: POTTER, HUGHES, ROSEWOOD.
INT. POTTER, HUGHES, ROSEWOOD, HALLWAY - ANOTHER DAY
A SECRETARY carries the documents to Potter's office. On the
way, she passes THE CONFERENCE ROOM. Inside, Erin is still
dictating to the PARALEGAL. She's shivery with fever now.
The floor around her is littered with tissues.
INT. DANIELS' HOUSE - DAY
Theresa is talking to Rita and Ted Daniels. Annabelle is
curled up on the sofa, wrapped up in a blanket. Rita and Ted
notice that Theresa doesn't even look at Annabelle.
INT. ERIN'S APARTMENT - KITCHEN - DAY
Erin is lying in bed, home sick, talking on the phone. She's
talking over the noise of TANIA, her 20-something Eastern
European nanny, vacuuming the hall.
ERIN
I know she isn't real warm, but they say
she's a real good lawyer...
INTERCUT WITH:
INT. DANIELS' HOUSE - DAY
Ted Daniels is on the phone. Rita is next to him.
TED
She asking the same questions you asked.
We already told you everything. I don't
want her coming to the house again.
She's kinda stuck-up, and she upsets
Annabelle.
ERIN
If you don't like Theresa, you don't have
to work with her. Me and Ed are still
here for you.
TED
I called Ed two days ago, Erin, and he
still hasn't called me back. Now, I hate
to say this, but everyone's pretty upset
about that arbitration thing...
ERIN
(stunned)
WHAT?
TED
I mean, Pamela's written a letter in the
Hinkley news telling everybody to get new
lawyers..that we've been lied to.
Erin is breathless with rage.
INT. MASRY & VITITOE - BRENDA'S DESK - DAY
The phone rings. Brenda picks up.
BRENDA
Ed Masry's office...Sorry, he can't be
interrupted.
INTERCUT WITH Erin at home, still in bed, so irritated.
ERIN
Don't be a pain in my ass today Brenda or
I'll put my fucking fist through the
phone! Just put him on.
BRENDA
(with finality)
I said, he can't be interrupted.
Erin hangs up. Then, with a groan, she pulls her weary body
out of bed.
INT. MASRY & VITITOE - RECEPTION - DAY
Erin drags herself into the office.
ROSALIND
Hey, Erin, I thought you were taking a
sick day.
ERIN
So did I.
She heads toward Ed's office, but stops when she sees a
meeting in progress in the conference room. Ed is on the
side of the table facing her, flanked by Potter and Theresa.
ERIN (CONT'D)
What's going on in there?
ROSALIND
Meeting about the PG&E thing.
ERIN
PG& -- Are you sure?
ROSALIND
Yup. You look awful. You want some tea?
Erin feels this like a sock in the gut. She stares at the
meeting, stunned.
INT. MASRY & VITITOE - CONFERENCE ROOM - DAY
Ed and Theresa are listening to Potter;
CORBIN
...I'm not saying it's not a strong case.
Certainly having every demur dismissed is
a good sign. What I am saying is that, if
we could get hold of any PG&E
documentation prior to 1987, officially
acknowledging that they know "something"
might be wrong with the water, I'd feel a
lot better about this statute of limi-
Ed looks beyond Potter to see...
Erin staring at him from the other side of the glass wall,
her face cold with hurt and anger.
ED
Could I -- just take a brief break here
for a moment? I'll be right back.
He gets up and goes out into:
INT. MASRY & VITITOE - MAIN ROOM - DAY
Ed comes out. Erin's so angry she can barely breathe.
ERIN
If you tell me to relax, I'm gonna choke
you with that fucking tie...
ED
Erin, it's just a meeting. Look, you said
you weren't feeling great. I thought
you should rest.
ERIN
Bullshit. You'd drag me off my deathbed
if it suited you.
(weakened)
How dare you take this away from me.
ED
No one's taking anything, will you let me-
ERIN
Bullshit. You stuck me in Siberia
dictating to some goddamn steno clerk so
you could finish this thing without me.
ED
Erin, they fucked up!
(Erin shuts-up)
Do I have your attention now? They fucked
up and they admit it.
Beat.
ERIN
The arbitration lette-...
ED
They sent a fucking letter to these
people explaining something they wouldn't
be able to explain in person with
diagrams and a floor show.
ERIN
I know. I spoke to Ted. Pamela wouldn't
even come to the phone.
ED
Pamela's got them all seeing red with
that letter she wrote to the press. She
called us thieves. This is about to all
fall apart Erin.
ERIN
Why?
ED
Because in order to even go to
arbitration - we have to get the
plaintiffs to agree...
ERIN
How many?
ED
Usually you can only manage to get about
70 percent. PG&E are demanding we get
ninety. In other words, everybody.
This is serious now Erin. Do you
understand?
ERIN
And, what Ed, I'm not serious?
ED
You're emotional. You're erratic. You
say any goddamn thing that comes into
your head. You make this personal, and it
isn't --
ERIN
Not personal? That's my work in there.
My sweat, my time... If that's not
personal, I don't know what is.
She starts to COUGH and CRUMBLE, but fights it.
ED
Now go home. Get well. Because you're no
good to me sick.
(then, admits)
I need you. All right? This case needs
you.
Beat. Then Erin asks him, referring to Potter and Theresa:
ERIN
Did you tell them that?
Clearly, Ed has not. Erin smiles, shakes her head as she
reaches into her bag.
ERIN (CONT'D)
Ya know Ed...after busting my ass, if you
think that this
(pulls out cell
phone)
and that car is all I'm looking for, is
all the respect somebody like me needs to
be shown, like a bone you throw somebody
who doesn't know the difference--
(she can't even
finish)
How can people with every degree on every
wall be so fucking stupid.
She puts the cell phone down, then stares through the glass
wall of the conference room at Potter and Theresa, who are
witnessing the scene from inside the room. She doesn't bother
to admonish them - she's feeling too shitty. She goes home.
ED
Erin...Erin...I'll-..
Erin ignores him as she exits..Ed looks angry as well. He
doesn't like the scenes she creates. He returns to the
conference room.
EXT. MASRY & VITITOE - PARKING LOT - DAY
Erin gets to her car. As she opens the door, the ALARM
SOUNDS. She fumbles with her keychain, trying to turn it
off, but she's too sick and upset to figure it out. With the
siren still blaring, she kicks at the car in rage.
A wave of dizziness comes over her. She holds her head. Her
breathing grows heavy. She grabs hold of the car for
balance..as she slowly loses consciousness and passes out.
INT. HOSPITAL EMERGENCY ROOM - NIGHT
A busy Southland ER. George bursts through the doors with
Katie, Matthew and Beth in tow. He goes up to the desk.
GEORGE
I'm looking for Erin Brockovich.
INT. ER WAITING AREA - DAY
The kids are waiting. George is talking to a DOCTOR.
GEORGE
Meningitis? What the hell is meningitis?
DOCTOR
It's an inflammation of the spinal cord
and part of the brain.
GEORGE
Jesus.
DOCTOR
It's a pretty advanced case. I'd say
she's been walking around with it for a
few weeks now.
GEORGE
How does someone get meningitis?
DOCTOR
Usually, in adults, it's from exposure to
bacteria or a virus or...
During Doctor's lines, George knows how she got it.
INT. HALLWAY OUTSIDE ERIN'S HOSPITAL ROOM - DAY
Matt and Katie sit on the cheap plastic chairs outside the
room. Katie is holding Beth, who's sleeping.
INT. ERIN'S HOSPITAL ROOM - DAY
Erin's in bed, hooked up to an IV, looking exhausted. All
untouched food tray is beside her bed. George is standing
across the room from her, arms crossed tight across his
chest, keeping his distance.
ERIN
...I swear, if I wasn't feeling so
shitty, I would driven that fucking car
right into their offices.
GEORGE
That would have helped their opinion of
you.
ERIN
Who gives shit about their opinion? They
would have sold out every plaintiff for
the first offer if I wasn't there. They
don't care about them.
GEORGE
Do you?
ERIN
What? Do I care?! What the hell have I
been--
GEORGE
You think acting that way, with these
lawyers - you think that's going help any
of these families? I mean, when you get
so pissed off with Ed or these other
suits - what are you really upset about?
The families? Or what everybody thinks of
you?
Erin has no reply. George's anger with her personally, makes
him the most honest person in the room right now...
ERIN
They said I can leave tomorrow. They
just wanna keep an eye on me another
night.
GEORGE
Fine. The kids can stay at my place till
you go home. I'll drop 'em off tomorrow
afternoon.
A moment of thick silence.
ERIN
Thank you.
GEORGE
(giving nothing)
Mm-hm.
As she watches him reach for his motorcycle helmet, to leave,
she's hit with a wave of regret.
ERIN
George....
He pauses but she is interrupted by a KNOCK at the door as Ed
enters. George looks at him. The moment's lost.
GEORGE
I'll drop 'em by tomorrow.
And Erin watches George leave the room, then turns to Ed.
ERIN
If you're here to fire me, your timing's
lousy.
ED
I'm not gonna fire you.
(beat)
I wanted to. But then you got sick, and
that woulda made me look like a shit.
(serious)
You have to stop embarrassing me in front
of Potter and everyone else who
aggravates you, Erin.
ERIN
I know. I'm sorry.
(beat)
Do I get to hear what happened anyway?
INT. ERIN'S HOSPITAL ROOM - LATER
Ed has taken off his coat and pulled a chair up next to
Erin's bed. He's eating the pudding off her tray.
ED
...Kurt thinks that with nothing linking
it to the corporate offices yet, we'll
probably end up on the lower end of that
fifty-to-400 million dollar offer. It's
still a lot of money.
ERIN
It's not enough. Not for over six hundred
people..What I don't understand is, if we
can't connect the corporate offices to
it, why would PG&E offer even that much?
ED
Because, they know the evidence we do
have. They know they're gonna lose a jury
trial. Maybe they wouldn't lose 400
million bucks, but once you factor in--
ERIN
Wait a minute - Are you saying, you want
to settle for the low end?
ED
(admits)
Kurt suggested it. He doesn't think we're
going to be able to get more than thirty
percent of these people to agree to
arbitration...
ERIN
And of course, Kurt knows "these people"
so well...
ED
(continues)
...Which means the low end is the best
they're going to get, Erin.
Erin is deeply disturbed by this.
ED (CONT'D)
We're going try and get as many of them
together - sort of a town meeting, to
explai-...
ERIN
I'm coming.
ED
Erin, please-
ERIN
I'm coming - and you better tell Kurtie
and St. Theresa to stay the fuck away or
we're going to be defending some of
"these people" for murder.
Ed considers her insight as closer to the truth than he'd
like to admit.
EXT. HINKLEY FIREHOUSE - NIGHT
The lot is filling with more cars and trucks; headlights
criss-cross each other as people pull in from all directions.
It is stifling hot evening.
INT. HINKLEY FIREHOUSE - NIGHT
CLOSE ON HANDS. As people stream in, they are each handed a
release form with a space for a signature on the bottom.
EXT. FIREHOUSE - NIGHT
Erin's Chevy pulls up to the firehouse. The kids are in the
car asleep. She gets out, leaving the door open.
She only goes as far as the firehouse front door. She steps
in. Ed is waiting by the door, before he goes up to make his
speech. He acknowledges Erin.
ED
How do you feel?
ERIN
Fine. It's hot as hell in here.
ED
That'll make this a lot easier.
ERIN
Nervous?
ED
It's anyone's guess.
Erin looks around at room, as the Hinkley residents take
their seats. Everyone's waving papers at themselves to cool
off...then looking around as if for something in particular.
ERIN
Be friendly. Cause they don't want to be
here.
ED
Why do you say that?
ERIN
They didn't bring any food.
She motions to long fold out tables against the wall - empty.
DONNA
(passing by)
Erin?
ERIN
Donna, hi..how are you?
DONNA
I heard you were in the hospital.
ERIN
I'm fine.
DONNA
This is crazy, huh. What's going to
happen?
ERIN
Let Ed explain it. It's gonna be OK. Is
Pamela coming?
Donna shakes her head NO. Erin and Ed know that's not a good
sign.
INT. HINKLEY FIREHOUSE - LATER
It's sweltering. The room, packed with plaintiffs, hums with
horse flies and tension. People are fanning themselves with
the release forms. Ed's addressing them from a raised
platform.
ED
...Binding arbitration isn't all that
different from a trial. It's overseen by
a judge. Evidence is presented in much
the same way....
PLAINTIFF
And then a jury decides?
ED
No, sorry, I should have mentioned that.
There's no jury in binding arbitration.
No jury, and no appeal.
BOB LINWOOD
No appeal? So what are our options if we
don't like the result?
ED
Well -- you have none. The judge's
decision is final. But we really don't
anticipate that being a problem.
Unhappy murmuring in the crowd. Now, in addition to the
stifling heat, the large room is thick with mistrust. People
are shifting in their seats, whispering to each other.
ED (CONT'D)
...As I said before, it will definitely
be somewhere between 50 and 400 million
dollars...
MANDY BROWN
Which? There's a big difference there.
ED
I wouldn't want to speculate at this
point.
MANDY BROWN
So then, what, that mystery number's
divided up at the whim of some judge --
More whispering, more movement.
MANDY BROWN (CONT'D)
How does it get divided?
PLAINTIFF
Yeah, who gets what? My medical bills
started two years before some other
people here.
MANDY BROWN
But my kid's been in and out of the
hospital a lot more than his. It
shouldn't matter when it started.
ED
Wait a minute, that's not-
The crowd erupts. The GRUMBLE of discontent has overtaken the
room. Erin watches the meeting fall apart. It's driving her
crazy. She notices CHARLES EMBRY, the flirty guy from the
picnic, watching her from the rear of the room. His smile is
hard to interpret...
ED (CONT'D)
...People listen, please..the point we
want to address tonight is getting
everyone to agree that going binding
arbitration is preferable to a trial that
could go on for ten years before you see
any money.
PLAINTIFF
Well, maybe some of us want to go ten
years.
OTHER PLAINTIFFS
(overlaps)
I don't..YEAH!...Speak for
yourself!..This is bullshit!..Let him
talk, for Christ sake..!!
ED
(overlaps)
We have to agree or no one has a
chance....
Some people are getting up to leave.
ED (CONT'D)
(emphatic)
...For those of you about to leave, I'd
like you to keep this date in mind: 1976.
That's the year of the Three Mile Island
disaster, and the people of Love Canal
are still waiting for their money. Think
about where you'll be when the year 2018
rolls around.
The people that were leaving stop.
ED (CONT'D)
Look. Everyone. is this a big decision?
Absolutely. But I do not believe - and I
wouldn't say this otherwise - I do not
believe this is a sell-out. With over six
hundred clients, the most you can try is
twenty a year, so it's like a roulette
wheel. You have somebody that's real sick
and he's the six-hundredth guy, he's not
gonna make it. And that is exactly what
the PG&E lawyers want - they keep making
their fees, dragging out the case,
waiting for people to drop by the
wayside.
(beat)
This is the best shot at getting everyone
some money now. You and I both know that
some people in this room can't afford to
wait, to take that chance. Are you going
to make them wait?
The crowd is listening now.
DISSOLVE TO:
INT. FIREHOUSE - LATER THAT NIGHT
The last car drives away. The clock reads 12:35 PM. Erin and
Ed are counting the agreements signed by those who wish to
continue with the arbitration - talking, counting;
ED
....So how many all together..
ERIN
We got about half of them.
ED
Shit.
ERIN
We're gonna have to go door-to-door Ed.
It's the only way.
He nods. Erin looks at him.
ERIN (CONT'D)
You did good, Ed.
ED
We'll see.
EXT. HINKLEY MOTEL - NIGHT
Erin's Chevy pulls into the parking lot.
MATTHEW (O.S.)
I don't want to stay here. It smells.
INT. HINKLEY MOTEL ROOM - NIGHT
Erin is entering the crappy motel room with her kids.
ERIN
We got no choice. I'm not gonna make it
home tonight. Now go wash up and climb
into bed.
As the kids wander toward the bathroom, Erin picks up the
phone and dials. RING, RING.
GEORGE (O.S.)
Hello?
ERIN
Hi. It's me.
(silence)
I've got one more favor to ask you...
It'll be the last one..I promise.
EXT. HINKLEY MOTEL - DAY
Very early. Erin is visible in the motel office, talking to
the clerk, when George's motorcycle pulls into the lot.
EXT. ERIN'S MOTEL ROOM - DAY
Erin comes up to him, hands him a key.
ERIN
I got you your own room.
He takes it, glances toward the motel room.
ERIN (CONT'D)
(awkward beat)
Look, don't take any of 'em on your bike,
okay? Call a cab if you wanna go
somewhere.
She hands him a wad of cash. he hands it back.
GEORGE
I have money....How long's this whole
thing gonna take?
ERIN
I don't know. Few days.
(beat)
Thanks for helping me. I appreciate it.
He nods. It's an awkward moment. George starts moving his bike
to a parking space...as Erin speaks;
ERIN (CONT'D)
Seems like all I do lately is apologize
to everybody...
George is engaged in an action throughout Erin's speech -
locking up his bike, getting his stuff - never looking at
her.
ERIN (CONT'D)
But, I am really sorry, George...I feel
like a shit about how I treated you and
I'm...I'm sorry.
(beat. no
reaction)
I'm also scared to death...Scared I'm
gonna lose my kids. Scared I'm gonna wind
up nowhere...with no one...And I'm in
that hospital bed George, I swear,
thinking -
(nervously
laughs)
'Fuck..it can't get much worse than
this'...And the only person I can think
of to make it better is you...I've never
been with a man who made anything better.
Don't give up on me yet.
George doesn't act like he has listened, but we & Erin know
he has. He gives a look that doesn't give her much.
GEORGE
Have the kids eaten?
Erin nods. Beat. George turns and walks into the motel. Erin
gets into the truck and pulls out.
EXT. HINKLEY - COMMUNITY BOULEVARD - DAY
Erin's Chevy is bombing down the road.
EXT. PAMELA DUNCAN'S HOUSE - DAY
Erin is on her doorstep once more. Pamela opens the door,
cautiously.
INT. PAMELA DUNCAN'S HOUSE - DAY
Pamela and Erin sit at the kitchen table.
PAMELA
..and then this...this letter with these
names of people I never heard of..people
with no faces...I tell you, it was just
like all the crap we used to get in the
mail from PG&E - like there was no one
real, no..real person behind any of
this..suddenly telling us something
entirely different from what you said...
ERIN
I know. I'm sorry. I'm sorry for what I
didn't know. For what I didn't even
understand..and I'm sorry you found out
about it like that. It was a shitty way
to explain it to you but...you got to
separate that from what they're
proposing. You're gonna have enough money
to take real care of your kids and
yourself...Isn't that the most important
thing?
Beat.
PAMELA
And who's going to be accountable for
what happened? Who can I point to?
ERIN
(honestly)
No one... They won't even show up at the
arbitration.
This stings Pamela. But she looks at her kids in the yard.
PAMELA
Why are you all doing this?
Erin thinks for a moment.
ERIN
Because it would be easier not to.
INT. ERIN'S CAR - BACK SEAT - DAY
There are two boxes there -- one full of unsigned release
forms, the other empty.
INT. THE DANIELS HOUSE - LIVING ROOM - DAY
Erin, Ed and Pamela are sitting with Ted and Rita.
INT. MANDY'S HOUSE - LIVING ROOM - DAY
Erin, Ed, Mandy, and Tom are seated on the sofas. Mandy
signs an agreement. Hands the pen to Tom, who also signs.
INT. LINWOODS' HOUSE - DAY
From outside, we see Erin at the kitchen table with Ed and
Bob and Ruth Linwood, who are laughing at Ed's story.
ED
...so she drops the entire bag of Doritos
in my lap and while I'm driving, she's
feeling me up because she has to eat all
the time, this one..constantly....
ERIN
(overlapping)
Oh shut-up! I was not! He's such a liar.
RUTH
Oh Lord!
INT. ERIN'S MOTEL ROOM - NIGHT
In the wee hours. While her kids sleep, Erin sits at the
cheap motel room table, going through her forms, organizing,
alphabetizing.
INT. ERIN'S MOTEL ROOM - DAY
CLOSE ON ERIN, fast asleep at the table, her face pressed
against the linoleum. There's some NOISE in the room,
WHISPERING. Erin stirs and looks around to see George behind
her, diapering Beth, while Matt and Katie put their shoes on.
ERIN
What time is it?
GEORGE
Real early. We're just gonna take your
car to get some breakfast.
Erin forces herself awake.
ERIN
No, I need my car --
GEORGE
We'll just be a minute. Get a little
more sleep.
He picks up Beth, takes Katie's hand, and calls across the
room to Matthew.
GEORGE (CONT'D)
C'mon, pal. Leave that alone, we gotta
go.
Erin turns to see Matthew holding one of her release forms.
ERIN
Oh, baby, please don't play with that,
okay? I got 'em all organized. Just put
it back.
But he's reading it. And something has caught his attention.
He looks up at Erin.
MATTHEW
This girl's the same age as me.
Erin gently takes the form away from Matthew, wanting to
shield him from the harsh realities of this case.
ERIN
That's right, sweetheart.
She replaces the form on top of the stack.
MATTHEW
She's one of the sick people?
ERIN
Yeah. She is.
(beat)
But you know what? That's why I'm
helping her. So she can get some
medicine to make her feel better.
Matthew mulls this over a bit more.
MATTHEW
How come her own mom isn't helping her?
ERIN
'Cause her own mom's real sick, too.
Matthew thinks real hard about this, then heads over to the
door, where George, Beth, and Katie are waiting for him.
Before he leaves, though, he turns back to Erin.
MATTHEW
Maybe we'll bring you back some
breakfast. You want eggs?
She looks at Matthew and her eyes fill with tears. She's so
proud of her son in this moment. As if his understanding is
what she needed all along.
ERIN
Eggs'd be great, baby. Eggs'd be perfect.
INT. DESOTOS' HOUSE - DAY
Erin is leaving, saying good-bye to Mary DeSoto. Erin has a
signed release form in her hand.
INT. THE BACK OF ERIN'S TRUCK - NIGHT
The signed stack has grown; the unsigned stack has shrunk.
Erin drops five more agreements into the "signed" box.
EXT. LOST CAUSE SALOON - NIGHT
Erin's truck drives into the parking lot.
INT. LOST CAUSE SALOON - NIGHT
An exhausted Erin has come in for a drink, a private moment
for herself..having a beer and a cigarette.
A MAN (CHARLES EMBRY) comes over and sits opposite.
CHARLES
Hey. Don't I know you?
Erin winces...
ERIN
(to herself)
Oh no..
(to him)
Uh..no..I..I don't think so-
CHARLES
Sure. Sure..I saw you at that barbecue in
Hinkley. And the firehouse.
ERIN
Oh.
(disinterested)
Were you there?
CHARLES
Sure. Sure..I watched you. I had my eye
on you..ha, ha...
ERIN
Oh....how nice..
(swigs beer)
CHARLES
I saw ya...saw ya talking to
everybody..writing stuff down..ha, ha..I
said to myself..something about her..I
really like that girl...Can I buy you a
drink?
ERIN
I'm actually on my way out..
CHARLES
I feel like I can talk to you too. Like
you're a person I can say anything to..
ERIN
You know, I'm really not.
CHARLES
Listen..
He leans in. Erin leans back. She thinks he's going to make
an indecent proposal...
CHARLES (CONT'D)
Would it be important to you if I told
you that when I worked at the Hinkley
plant, I destroyed records?
Erin stares blankly. She forgets to breathe. Her mind races.
ERIN
Uh..I don't know uh...
(doesn't know
his name)
CHARLES
Charles.
ERIN
Charles..Maybe. Would you..would you
excuse me a moment - I just have to go to
the bathroom.
CHARLES
Sure babe.
ERIN
Don't go away..
She calmly exits OS.
CUT TO:
EXT. LOST CAUSE SALOON - NIGHT
Erin runs her ass off to her truck...opens the door, searches
for her cell phone...
INT. ED'S OFFICE - NIGHT
Ed's working. The phone rings.
ED
Yeah?..What? Kid, slow down..Who?
INTERCUT ERIN..
ERIN
This guy! Charles! He tells me he
destroyed records. He worked at Hinkley..
Ed rises out of his chair as he listens..
ERIN (CONT'D)
I thought he was picking me up. I mean
maybe he is. But why would he say that?
ED
Calm down, calm down..Shit..Look, go back
and see if he'll make a declaration.
ERIN
A declaration...
ED
But be careful. Don't care him off.
ERIN
Right...
ED
And if you have to sleep with him, that's
all right too..
ERIN
OK OK..I'll call you back..
CUT BACK TO:
INT. LOST CAUSE SALOON - NIGHT
A deliberately calm Erin talks to Charles;
ERIN
So..Chuck..can I call you Chuck?
CHARLES
Sure. Sure.
ERIN
Would you like another drink?
CHARLES
I'm good.
ERIN
So what happened here - you were telling
me about records...?
CHARLES
Yeah. Those fuckers...
(sips beer)
I was with that plant for thirty five
years. They made me sick and when I
retired I get a fucking watch..
DISSOLVE TO:
INT. LOST CAUSE SALOON - LATER THAT NIGHT
Erin and Charles are the only patrons. Erin's eating a
burger. Charles has a beer.
CHARLES
I was working in the compressor, and out
of nowhere the supervisor calls me up to
the office and says, we're gonna give you
a shredder machine, and send you on down
to the warehouse. We want you to get rid
of all the documents stored out there.
ERIN
Did he say why?
CHARLES
Nope. And I didn't ask.
ERIN
Did you get a look at the stuff you
destroyed?
CHARLES
There was a lot of dull stuff -- vacation
schedules, the like.
(beat)
But then there were a few memos about the
holding ponds. The water in them. They
had readings from test wells, stuff like
that.
ERIN
And you were told to destroy those?
CHARLES
That's right.
Erin plays it down, takes a sip of beer.
CHARLES (CONT'D)
Course as it turns out, I'm not a very
good employee.
ERIN
What do you mean?
CHARLES
Well. There were a few documents that I
somehow didn't get around to shredding.
(beat)
That I kept instead.
Erin stops, mid-bite of burger. She looks at him.
CHARLES (CONT'D)
At the time, I thought, I got six kids,
some of 'em want to go to college. I
can't afford to lose my job. I told
myself I was being honorable.
(beat)
But there's nothing honorable in what I
did.
(beat)
Maybe that's why they picked me for the
job. Maybe they knew what kind of man I
was.
Pause.
ERIN
Charles. Will make a declaration stating
all the things you've told me?
He looks at her.
INT. POTTER, HUGHES & ROSEWOOD - RECEPTION - DAY
Erin and Ed enter, with boxes in their arms and a whole lot
of attitude.
INT. POTTER, HUGHES & ROSEWOOD - CONFERENCE ROOM - DAY
The table is covered with boxes of documents: the anticipated
slew of paper that PG&E is sending them. Kurt, Theresa,
Andrew and ABOUT FIVE PARALEGALS are sifting through them.
Erin and Ed breeze in like sunshine.
ERIN
Morning!
POTTER
Erin? Ed...what are you --
ERIN
(to Ed)
May I?
ED
Oh yes. Please do.
ERIN
You know what, Mr. Potter? We completely
forgot your birthday this year. And
seeing as how you've been so good to me,
I thought it was a terrible oversight.
So what Ed and I been doing over the last
few days is putting together a present
for you.
She plunks the box down on the table. Potter opens the top
of the box. Looks in.
ERIN (CONT'D)
634. They all signed. Every single
one.
Potter, Theresa, et al...are stunned.
THERESA
Ho - ly - shit.
ERIN
Oh, now don't get all jealous, Theresa.
We got a little something for you, too.
Erin hands Theresa a manila envelope. She opens it.
ERIN (CONT'D)
Internal PG&E documents, all about the
contamination. The one I like best says,
and I'm paraphrasing here, but it says
yes, the water's poisonous, but it'd be
better for all involved if this matter
wasn't discussed with the neighbors.
It's to the Hinkley station, from PG&E
Headquarters. Stamped received, March,
1966.
Potter and Theresa reel. Potter shakes his head in disbelief.
POTTER
Where did -- how did you do this?
ERIN
Well, what with me not having any brains
or legal expertise, and Ed starting to
lose his faith in the system and all..am
I right?...
ED
(overlaps)
Oh yes..completely..No faith...
ERIN
(overlaps)
I just went on up there and performed
sexual favors. 634 blow jobs in five
days. Boy, am I ever tired.
Ed's head falls to his chest - he didn't know that was
coming. But Erin just smiles..digesting her canary.
DISSOLVE TO:
EXT. PACIFIC COAST HIGHWAY - DAY
One of those days when the bay sparkles like a glitter ball.
Erin's Chevy moves up the PCH. George's at the wheel. Erin
by his side. The kids in the back. Time has passed -- Erin's
hair's a little different.
EXT. BEACH PARKING LOT - DAY
Erin gets out of her new truck, looks, sees the Irvings in a
little cluster.
Donna's under an umbrella. Pete is slathering on sunscreen.
The two girls zip out toward the water. Erin waves. Pete
and Donna spot her, wave back. The kids run out toward the
beach to play with the Irvings kids.... Erin holds Beth
calling out to them;
ERIN
Find a spot near the shore!
George is hauling out a cooler.
ERIN (CONT'D)
Let me give you a hand.
GEORGE
No I got it. I'll take Beth and set up
while you take care of your business.
ERIN
No...I want you to come with me...
(smiles)
I want you to see what you've helped to
do.
EXT. BEACH - LATER
Donna is sitting on a blanket beneath an umbrella watching
her kids in the water - joined by Erin's kids..Erin comes up
behind her. George carries Beth.
ERIN
Hi..This is George..George this is Donna.
GEORGE
Nice to meet you.
DONNA
Hi! And who's this little precious.
ERIN
This is Beth..Say hi..Hi...How you
you feeling today?
George and Erin sit before her.
DONNA
It's a good day. I feel good.
ERIN
Well, then -- if you're feeling up to it,
maybe we should talk shop. The judge came
up with a number.
DONNA
A number for the whole group, or for us?
ERIN
Both.
Donna sits down next to her.
ERIN (CONT'D)
He's making them pay the maximum.
Tears of vindication spring to Donna's eyes.
DONNA
Oh, my God.
ERIN
And he's making them give five million of
it to you all.
DONNA
Five million dollars?
ERIN
Five million dollars.
She reels. After a breathless beat:
DONNA
I don't even know how much money that is.
ERIN
It's enough -- for whatever you need, for
whatever your girls need, for whatever
your girls' girls need. It'll be enough.
Donna wipes the tears off her face, then watches the light
flickering off her girls playing in the surf.
DONNA
I can put them in a good school.
ERIN
Any school you want.
DONNA
And get someone to help around the house.
ERIN
Yup.
DONNA
Oh my God. Oh my God.
Donna is overwhelmed. Erin pulls her close.
DONNA (CONT'D)
Oh, my God.
George holds Beth close. He looks at Erin with love and
pride, and finally, complete understanding of what she's been
moving towards from the beginning. Erin looks at him over
Donna's shoulder, and smiles with tears in her eyes.
EXT. MASRY & VITITOE'S NEW OFFICE BUILDING - DAY
Now this is where the hot lawyers work. A gleaming testament
to power.
INT. MASRY & VITITOE'S NEW OFFICE - DAY
Boxes everywhere. They just moved in. Everyone is unpacking
at his or her desk. Rosalind is manning the new phones.
ROSALIND
Masry & Vititoe, can I -- shoot!
(she lost them)
Masry & Vititoe, can I -- damn it.
(calling out)
Does anyone know anything about these
phones?
INT. ED'S NEW OFFICE - DAY
Ed is in his new office when a LEGAL ASSISTANT enters
carrying an ENVELOPE and hands it to Ed.
ED
Thanks.
She exits as Ed opens the envelope to reveal: A BONUS CHECK
MADE OUT TO ERIN FOR TWO MILLION DOLLARS. Ed smiles.
INT. ERIN'S NEW OFFICE - DAY
Ed enters Erin's beautiful, private office to give her the
bonus - only to find that she is not there. He walks over to
her desk and lays the envelope down next to some framed
photos of Erin's children. He exits, closing the door behind
him as we:
CUT TO:
EXT. SUBURBAN HOME IN ANOTHER BARREN CA. AREA - DAY
Doorbell rings. A HOUSEWIFE opens the door.
HOUSEWIFE
Can I help you?
ERIN
Hi. My name is Erin Brockovich. I'm been
talking to some of the families in the
neighborhood about a problem you've been
having with the water supply...Jane
Whittman told me to contact you...
HOUSEWIFE
Oh yeah, Jane, sure...
BLACKOUT.
END CRAWL:
The settlement awarded to the plaintiffs in Hinkley
v. PG&E was the largest in a direct-action lawsuit in
United States history.
Erin and Ed have three other cases pending, including
one against PG&E.